基于虚拟现实技术的沧源岩画保护与传播策略研究

L. Ke, Xu Wu, He Jin, Cao Lucheng
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引用次数: 0

摘要

目前,云南沧源岩画的保护方法主要以保管和造型保护为主。由于历史悠久和各种自然因素的影响,沧源岩画的保护不能得到很好的保护和保存;此外,由于现实因素,沧源岩画被许多游客破坏,其完整性已经不如以前了,这导致了有关部门对文化遗产的保护。沧源岩画的许多景点还没有对外开放,这对它们的传播和传承影响很大。在这篇文章中,我们使用数字化的手段来收集岩画的原始材料。首先,我们对其进行三维建模,总结出岩画常见的图案。然后运用修复技术对沧源岩画缺失的部分进行修复。我们不仅提炼了沧源岩画的复杂形象和文化内涵,还利用三维模型建立了虚拟展厅。最后,我们实现了传统文化与现代科技的完美结合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Research on the Protection and Communication Strategy of Cangyuan Cliff Painting Based on Virtual Reality Technology
At present, the protection methods of Yunnan Cangyuan cliff paintings are mainly based on storage and shape protection. Because of the long history and various natural factors, the protection of Cangyuan cliff painting can not be well protected and stored; moreover, as a result of the reality factors that Cangyuan cliff painting has been damaged by many tourists, its integrity has not been as good as before, which has led the relevant departments to protect the cultural heritage. Many scenic spots of Cangyuan cliff painting have not been opened to the public, which has great influence on their transmission and inheritance. In this article, we used digital means to collect the original material of cliff paintings. First of all, we model it in three-dimensional and summarize the common patterns of cliff paintings. Then we used the restoration techniques to repair the missing part of Cangyuan cliff painting. We have not only refined the complex images and culture connotation of Cangyuan cliff painting, but also use the three-dimensional model to establish the virtual exhibition hall. Finally, we achieve the perfect combination of traditional culture and modern technology.
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