古怪的性生活和开创性的(剥削)电影

Kylo-Patrick R. Hart
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引用次数: 0

摘要

在过去的几十年里,主流和独立电影越来越多地以不准确、不恰当的刺激和故意极端的方式表现角色的变态性行为。本章考察了在两部开创性的(尽管极其暴力的)剥削电影中古怪的性生活的表现:导演威廉·弗里德金1980年的电影《巡航》,这是第一部描绘纽约皮革酒吧和性俱乐部中男同性恋者性生活的好莱坞电影;以及导演布雷特·伦纳德2005年的电影《喂食》,这是第一部明确探索肥胖恋物癖和喂食癖现象的独立长片之一。这两部作品都值得注意,因为它们公开描绘了非规范性的性活动,以及主要针对主流观众的方式,在这样做的历史时刻是相当罕见的。与此同时,这一分析表明,由于两部电影对主题的剥削手法,它们最终传达的信息是,它们所代表的个人和性活动是“越轨”的,必须在文明社会中得到遏制,甚至根除。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Kinky Sex Lives and Groundbreaking (Exploitation) Cinema
Over the past few decades, mainstream and independent films have increasingly represented kinky sexual behaviors of their characters, in ways that are frequently inaccurate, inappropriately titillating, and intentionally extreme. This chapter examines the representation of kinky sex lives in two groundbreaking (although extremely violent) offerings of exploitation cinema: director William Friedkin's 1980 film, Cruising, one of the first feature-length Hollywood movies to portray the sex lives of gay men in New York City's leather bars and sex clubs; and director Brett Leonard's 2005 film, Feed, one of the first feature-length independent offerings to explicitly explore the phenomena of fat fetishism and feederism. Both works are noteworthy for openly depicting nonnormative sexual activities and ways of being targeted primarily to mainstream audiences, at historical moments when doing so was quite rare. At the same time, this analysis demonstrates how both films, because of their exploitative approaches to their subject matter, ultimately communicate that the individuals and sexual activities they represent are “deviant” ones that must be contained or even eradicated in a civilized society.
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