新皮陈酒:贝宁大学艺术系与尼日利亚“艺术学校”趋势

F. Odiboh
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摘要

在尼日利亚,许多艺术家、评论家和艺术学者很快就为尼日利亚高等院校艺术系对身份的追求辩护。自此以后,尼日利亚高等院校的一些艺术系被确定为具有这样或那样的特点,也被归类为具有这样或那样的特点,或被归类为“艺术学校”。一些艺术部门也出现了艺术团体和运动。尽管尼日利亚的艺术部门充满活力和不断发展的艺术场景,但许多人担心贝宁艺术部门在尼日利亚艺术场景中没有集体存在感。当然,它仍然是尼日利亚机构中最不公开的艺术系之一。与这些观点相反,贝宁大学艺术系仍然是尼日利亚各种代表性风格和其他艺术方法以及主题的艺术环境。它可以被比作一个复杂的艺术论坛,来自尼日利亚各大学和理工学院的学生聚集在一起升华他们的艺术。尽管现在有熟悉的批评,但贝宁艺术部确实有一种殖民前时期形成的艺术整体的基本哲学,这种态度反过来又鼓励了艺术部内部各种风格的发展。拉各斯历史评论2008年第8卷:33-48页
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Old Wine in New Skins: The University of Benin Art Department and the “Art School” Trend in Nigeria
In Nigeria, many artists, critics and scholars of art have been quick to justify the preoccupation of Nigerian tertiary institutions Art Departments with the quest for an identity. Some Art Departments of Nigerian higher institutions have since been identified with one trait or the other and are also classified with one trait or the other or classified as ‘art schools'. Art groupings and movements have also emerged in some of these Art Departments. Inspite of the vibrant and evolving artistic scene in Nigeria's Art Departments, many are worried that the Benin Art Department has not made a collective presence felt on the Nigerian art scene. Certainly, it remains one of the least publicized of the Art Departments in Nigerian institutions. Contrary to these views, the University of Benin Art Department remains an artistic environment of the various representational styles and other artistic approaches as well as subject matter in Nigeria. It can best be likened to a complex art forum where students from various Nigerian Universities and Polytechnics converge to sublimate their art. Despite the now familiar criticisms, there is indeed an underlying philosophy of the totality of the arts in the Benin Art Department as obtained in the pre-colonial period, an attitude, which in turn has encouraged within the Art Department, the development of diverse styles. Lagos Historical Review Vol. 8 2008: pp. 33-48
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