C. Genucius Clepsina的古代低地壁画绘画技术研究

Costanza Miliani, F. Rosi, I. Borgia, Antonio Sgamellotti, Laura Cartechini, G. Poli, B. G. Brunetti, D. Perugini
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引用次数: 2

摘要

关于伊特鲁里亚壁画的科学研究报告,可以追溯到东方化时期。对颜料碎片的微破坏光谱分析为伊特鲁里亚绘画技术提供了一些新的信息。这幅画的基材由细磨的火山石和沉积的钙质石混合而成。基底由两个不同的层组成:富含钙质成分的最外层叠加在含有火山石的下层。橙色颜料是赤铁矿(α - fe2o3),而暗红色颜料是赤铁矿、磁铁矿(γ - fe2o3)和软锰矿(β - mno2)的混合物。白色颜料为方解石(CaCO3)。值得注意的是,从绘画层的形态来看,颜料似乎是用石灰水的混合物涂的。红外光谱分析未发现有机结合剂的踪迹。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Studio della tecnica pittorica dei dipinti murali arcaici dell'area dell'ipogeo di C. Genucius Clepsina
Reports on the scientific study of an Etruscan mural painting, dating back to the orientalizing period. Micro-destructive spectroscopic analysis of pigmented fragments has provided some novel information about the Etruscan painting technique. The painting substrate consists of a mixture of finely ground volcanic stone and sedimentary calcareous stone. The substrate is made up of two distinct layers: an outermost layer enriched in calcareous component is superimposed on a lower containing volcanic stone. The orange pigment is hematite (alpha-Fe2O3) while the dark red pigment is a mixture of hematite, maghemite (gamma-Fe2O3) and pyrolusite (beta-MnO2). The white pigment is calcite (CaCO3). Notably, from the painting layer morphology it appears that the pigments were applied in a mixture of lime water. By infrared spectroscopic technique, no trace of organic binder was found.
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