编辑和后生

Matilda Greig
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引用次数: 0

摘要

这一章揭示了半岛战争回忆录复杂的来生,其中许多比作者活得更久,并在漫长的19世纪以不同的形式继续出版和再版。它考虑了许多不同的群体参与了拿破仑军事回忆录的幕后制作:家庭成员,尤其是女性;编辑器;出版商;索引器;打印机;插图画家;档案工作人员;律师;即使是奢侈品书商。它详细地展示了随着时间的推移,退伍军人自传所做的改变,从省略或增加文本部分到改变标题,插入作者的肖像,或委托艺术家对他的战斗印象。在此过程中,一些战争回忆录经历了几乎完全的转变,变成了枯燥的家庭传记、“男孩自己的”冒险故事、军团历史、消费品,或者在第一次世界大战前的几十年里,英国和法国成为了针对儿童的国家军事教育工具。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Editors and Afterlives
This chapter reveals the complex afterlives of Peninsular War memoirs, many of which outlived their authors and continued to be published and re-published in different formats over the long nineteenth century. It considers the many different groups of people involved behind the scenes in the production of a Napoleonic military memoir: family members, especially women; editors; publishers; indexers; printers; illustrators; archivists; lawyers; even luxury booksellers. It shows in detail the alterations that were made to veterans’ autobiographies over time, from omitting or adding sections of text to changing the title, inserting portraits of the author, or commissioning artist’s impressions of his battles. Along the way, some war memoirs underwent an almost total transformation, becoming dry family biographies, ‘boy’s own’ adventure stories, regimental histories, consumer objects, or, in the decades before the First World War in Britain and France, tools for national military education, targeted to children.
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