kwahule和Tarnagda:非洲戏剧在刻板印象和原创性之间

Romanica Silesiana Pub Date : 2021-03-31 DOI:10.31261/rs.2019.16.26

W. Wołowski, Renata Jakubczyk

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引用次数: 0

摘要

在简要介绍了刻板印象的戏剧定义之后，本文进行了一项解释学研究，重点研究了两部当代非洲戏剧中的刻板印象元素和去刻板印象策略:科菲·克瓦胡莱的《宾图》(1997)和阿里斯蒂德·塔纳格达的《八月天空之泪》(2010)。分析的目的是展示科菲·夸胡勒和阿里斯蒂德·塔纳格达是如何沉迷于一场微妙的陈词滥调的游戏，可能是在不知不觉中。

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Kwahulé et Tarnagda : le théâtre africain entre le stéréotype et l’originalité

After a short presentation of theatrical definitions of stereotypes, this article offers an hermeneutic study, focused on the elements of stereotypes and strategies of de-stereotyping in two contemporary African plays: Bintou (1997) by Koffi Kwahulé and Les Larmes du ciel d’août -Tears of the August sky (2010) by Aristide Tarnagda. The analysis aims to demonstrate how Koffi Kwahulé et Aristide Tarnagda indulge, possibly unknowingly, in a subtle play with a cliché.

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Romanica Silesiana

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