“近距离亲密”:宣泄,性的阴暗面,和德累斯顿娃娃

Logan Imans
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引用次数: 0

摘要

“德累斯顿娃娃”是一个朋克-卡巴莱乐队,用他们的音乐来探讨性侵犯、堕胎和创伤等多样化和禁忌的主题。尽管他们的歌词中引用了忧郁和怪诞的意象,但本文主张像德累斯顿娃娃一样鼓励宣泄的治疗效果。本文概述了宣泄在艺术和心理治疗中的应用,探讨了朋克-卡巴莱的音乐元素和表演背景如何引发宣泄,并发展了一种与德累斯顿娃娃音乐相关的当代宣泄理论。考虑到歌曲“想念我”,“曼迪去医学院”和“孤独的风琴手强奸佩奇特纳”中创伤和愈合的表现,本文说明了如何,尽管通过音乐面对创伤的潜在挑战,德累斯顿娃娃的方法最终有效地培养了宣泄和鼓励治愈他们的听众。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"Up Close and Intimate": Catharsis, the Dark Side of Sexuality, and The Dresden Dolls
The Dresden Dolls are a punk-cabaret band that use their music to delve into diverse and taboo subject matter including sexual assault, abortion, and trauma. Despite the morose and grotesque imagery invoked by their lyrics, this paper advocates for the therapeutic effects of catharsis as encouraged by The Dresden Dolls. This essay provides an overview of the applications of catharsis in the arts and psychotherapy, explores how the musical elements and performance contexts of punk-cabaret elicit catharsis, and develops a contemporary theory of catharsis as it pertains to the music of The Dresden Dolls. In considering manifestations of trauma and healing in the songs “Missed Me,” “Mandy Goes to Med School,” and “Lonesome Organist Rapes Page Turner,” this paper illustrates how, despite the potential challenges of confronting trauma through music, the approach of The Dresden Dolls is ultimately effective in cultivating catharsis and encouraging healing for their listeners.
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