底比斯省拉美赛德私人雕像上的神灵描绘

Moamen El Dardery, Engy Elkelany, A. Ebied
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引用次数: 0

摘要

拉美赛德私人雕塑中著名的宗教方面之一是对神像的描绘。在19世纪早期,神被描绘成不同的形状和形象。雕刻家开始发明一种新的雕塑风格,称为纳佛洛斯雕像和纳佛洛斯块雕像,这些雕像收集在普通类型的块和神社或神灵的小壁龛之间。这些新样式用神像的形象装饰雕像的正面。这种早期拉美赛德时期的新雕塑表明了作为崇拜者的个人与当地神灵之间的关系。19世纪和20世纪的雕刻家为块状雕像发明了一些附加的东西,比如装饰在块状雕像正面的小神像。其他个人的雕像则用小的神和女神雕像来代表,比如底比斯的冬青长篇大论,或者其他的神和女神。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Depictions of the Deities on the Ramesside Private Individuals Statues from the Theban Province
One of the famous religious aspects of private individuals' Ramesside sculptures is the depictions of the deities in the statues. The gods were represented in different shapes and figures during the early 19th dynasty. The sculptor started to invent a new style of sculpture known as Naphorous statues and Naphorous block statues that collected between the normal type of block and the shrine or the small niche of the deities. These new types decorated the façade of the statues with the figures of the gods. This kind of new sculpture in the early Ramesside period indicated the relationship between the individuals as worshippers and the local deities. The sculptors of the 19 th and 20 th dynasties invented some additions for the block statues, such as the small figures of the gods that decorated the front of the block statues. Other private individuals' statues were represented with the small statues of the gods and goddesses, such as the holly tirade of Thebes, or with other gods and goddesses.
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