Феномен «научные коммуникации»: статус и функции

The article describes the ontological status and function of satire in Russian literature of the twentieth century. Traditions of N.V. Gogol and M.E. Saltykov-Shchedrin become the foundation upon which is formed by the specificity of domestic satire of the twentieth century a new type of hero, new themes, motives and a tendency to genre syncretization primarily within the paradigm of inclusion in the satirical genre elements dystopia.