{"title":"崔宗羲歌剧《月如明月上》的创作技法研究——以音乐元素的循环技法为中心","authors":"Chung-Geun Chun","doi":"10.34303/MSCOL.2019.27.1.001","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":179453,"journal":{"name":"音.樂.學","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Study on the Techniques of Creation for Choe Uzong’s Opera Arriving on the Waters like the Moon - Focused on the Cyclic Technique of the Musical Elements -\",\"authors\":\"Chung-Geun Chun\",\"doi\":\"10.34303/MSCOL.2019.27.1.001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":179453,\"journal\":{\"name\":\"音.樂.學\",\"volume\":\"17 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"音.樂.學\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.34303/MSCOL.2019.27.1.001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"音.樂.學","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.34303/MSCOL.2019.27.1.001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A Study on the Techniques of Creation for Choe Uzong’s Opera Arriving on the Waters like the Moon - Focused on the Cyclic Technique of the Musical Elements -