新城

G. Hale
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引用次数: 0

摘要

在雅典的许多乐队签约之后,这座城市几乎不再是一个秘密。另类音乐迷不仅想去雅典,还想去佐治亚大学读大学。随着不断有新人搬到城里,新的乐队形成,八十年代后期的场景继续扩大和分裂。许多波西米亚人也是第一次参与地方政治。在20世纪80年代后半期,另类文化的基于地点的结构在推动这种新的政治参与方面发挥了关键作用。在雅典,围绕着拯救城镇老城区的行动主义越来越多,许多现场参与者变成了关注历史保护、环境保护和无家可归问题的注册选民。随着政治力量的不断增强,雅典的乐队也取得了前所未有的成功。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
New Town
After the signing of many bands from Athens, the city was hardly a secret. Alternative music fans wanted to not only go to Athens but to UGA for college. With a constant churn of new people moving to town and new bands forming, the scene in the late eighties continued to expand and fragment. Many bohemians also got involved in local politics for the first time. In the second half of the 1980s, the place-based structure of alternative culture played a key role in propelling this new political engagement. In Athens, growing activism around the effort to save the old parts of town turned many scene participants into registered voters concerned about historic preservation, environmentalism, and homelessness. The growing level of political energy coincided with unprecedented levels of success for the Athens scene’s bands.
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