从教堂到街头的转移:试论欧洲中世纪宗教戏剧的世俗化

Shuping Wang
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引用次数: 0

摘要

在中世纪的欧洲,一种新的戏剧,宗教戏剧,发展起来了。它从教会崇拜的“言语冗余”演变而来,然后演变为神秘、奇迹和道德戏剧。中世纪后期,世俗因素不断渗透到宗教戏剧的表演中,从表演场所、戏剧主题和内容、表演形式、丑角的增多、教会音乐的世俗化、城市戏剧的诞生等五个方面推动了宗教戏剧的世俗化,最终导致了莎士比亚文人时代的到来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Transfer from the Church to the Street: Discussion on the Secularization of European Medieval Religious Dramas
In the Middle Ages of Europe, a new kind of drama, the religious drama, was developed. It evolved from the Redundancy of Words of church worship, and then evolved into mystery, miracle and moral drama. In the late Middle Ages, secular factors continued to permeate the performances of religious dramas, promoting its secularization in five aspects: performance venues, theatrical themes and content, the form of performance, the increase of harlequins, the secularization of church music and the birth of urban drama, ultimately leading to the arrival of the Shakespeare literati era.
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