这到底是谁的台词?

Talli Cedar
{"title":"这到底是谁的台词?","authors":"Talli Cedar","doi":"10.1075/pbns.316.05ced","DOIUrl":null,"url":null,"abstract":"The course will explore improvisation in the performing arts through readings on dance, music, and especially theater improvisation, by viewing live performances, and by engaging in the practice of improvisation in the theatrical tradition. The emphasis will be on acting improv. No prior experience is required.","PeriodicalId":343747,"journal":{"name":"The Discourse of Indirectness","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"12","resultStr":"{\"title\":\"Whose line is it anyway?\",\"authors\":\"Talli Cedar\",\"doi\":\"10.1075/pbns.316.05ced\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The course will explore improvisation in the performing arts through readings on dance, music, and especially theater improvisation, by viewing live performances, and by engaging in the practice of improvisation in the theatrical tradition. The emphasis will be on acting improv. No prior experience is required.\",\"PeriodicalId\":343747,\"journal\":{\"name\":\"The Discourse of Indirectness\",\"volume\":\"17 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-10-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"12\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Discourse of Indirectness\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1075/pbns.316.05ced\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Discourse of Indirectness","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1075/pbns.316.05ced","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 12

摘要

本课程将通过阅读舞蹈、音乐,尤其是戏剧即兴创作,观看现场表演,并参与戏剧传统中的即兴创作实践,来探索表演艺术中的即兴创作。重点是即兴表演。没有工作经验要求。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Whose line is it anyway?
The course will explore improvisation in the performing arts through readings on dance, music, and especially theater improvisation, by viewing live performances, and by engaging in the practice of improvisation in the theatrical tradition. The emphasis will be on acting improv. No prior experience is required.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信