{"title":"行动在哪里?","authors":"Julian Lawrence","doi":"10.2307/j.ctv1kbgs2k.10","DOIUrl":null,"url":null,"abstract":"In this chapter, Julian Lawrence adopts an “a/r/tographical methodology” to research and create an 8-10 page comics essay that investigates the ways R. Crumb challenges scholars in an age of political correctness. This visual essay combines autobiographical, theoretical, and methodological reflections on Crumb’s influence on a young artist, Crumb’s engagement with gender and sexuality, and the multifaceted ways to approach Crumb’s comics.","PeriodicalId":156308,"journal":{"name":"The Comics of R. Crumb","volume":"2003 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"WHERE THE ACTION IS\",\"authors\":\"Julian Lawrence\",\"doi\":\"10.2307/j.ctv1kbgs2k.10\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this chapter, Julian Lawrence adopts an “a/r/tographical methodology” to research and create an 8-10 page comics essay that investigates the ways R. Crumb challenges scholars in an age of political correctness. This visual essay combines autobiographical, theoretical, and methodological reflections on Crumb’s influence on a young artist, Crumb’s engagement with gender and sexuality, and the multifaceted ways to approach Crumb’s comics.\",\"PeriodicalId\":156308,\"journal\":{\"name\":\"The Comics of R. Crumb\",\"volume\":\"2003 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-04-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Comics of R. Crumb\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctv1kbgs2k.10\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Comics of R. Crumb","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv1kbgs2k.10","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
In this chapter, Julian Lawrence adopts an “a/r/tographical methodology” to research and create an 8-10 page comics essay that investigates the ways R. Crumb challenges scholars in an age of political correctness. This visual essay combines autobiographical, theoretical, and methodological reflections on Crumb’s influence on a young artist, Crumb’s engagement with gender and sexuality, and the multifaceted ways to approach Crumb’s comics.
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