面具在东西方戏剧艺术中的象征意义

Chenyuan Jin
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引用次数: 0

摘要

本文考察了古老而独特的面具文化,分析了东西方不同戏剧传统(古希腊悲剧、艺术喜剧、中国戏曲、京剧等)对面具的认识、理解和诠释的特点。特别关注的是如何在传统的基础上解释和使用面具,以创造和增强舞台效果,并加深现代表演中有意义的象征主义。这项工作的相关性在于类型学和分类的共同和独特的特征相似,但同时又独特的文物的各种戏剧文化的东西方在过去和现在的制作中使用面具的例子。解决这一问题有助于在多极世界中建立跨文化联系,促进跨文化交流,减少文明矛盾的程度。本研究的科学新颖性在于对案例研究、科学出版物和文献来源的原始选择进行处理的结果。本研究的目的是寻找不同戏剧系统中对面具的感知和理解的特征。为了达到这种态度,本文分析了面具在不同国家的历史,对其语义进行了分析,特别是对中国古代的热文化和古希腊的戏剧,以及意大利的艺术喜剧进行了比较。总之,我们注意到在不同的戏剧系统中,面具具有独特的符号和用途。从而揭示了人性的复杂和矛盾,揭示了未知和人们对现实的恐惧,体现和表达了情感,提供了戏剧发展的节奏感和敏锐性,加深了正在发生的事件的意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The symbolism of the mask in the theatrical art of the West and East
The article examines the ancient and unique culture of the mask, analyzes the features of its perception, understanding and interpretation in different theatrical traditions of the West and East (ancient Greek tragedy, comedy dell'arte, Chinese no-si theater, Peking opera, etc.). Particular attention is paid to how the mask is interpreted and used, based on tradition, to create and enhance stage effects and deepen meaningful symbolism in modern performances. The relevance of this work lies in the typology and classification of common and distinctive characteristics of similar, but at the same time unique artifacts of various theatrical cultures of the East and West on the example of the use of masks in productions in the past and present. Addressing this topic can help to establish intercultural ties, facilitate intercultural communication and reduce the degree of civilizational contradictions in a multipolar world. The scientific novelty of the study lies in the results of processing the original selection of case studies, scientific publications and literary sources. The purpose of the study is to search for the features of the perception and understanding of masks in various theatrical systems. To achieve this attitude, the history of masks in different countries, their semantics are analyzed, in particular, the ancient Chinese thermal culture and the ancient Greek theater, as well as the Italian comedy dell'arte are compared. In conclusion, we note that in different theatrical systems, the mask has unique symbols and uses. Thus, it reveals the complex and contradictory human nature, reveals the unknown and people's fear of reality, embodies and expresses emotions, provides the rhythm and sharpness of the development of the drama, deepens the meaning of ongoing events.
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