胜利与失败

S. Smith
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引用次数: 0

摘要

本章以华纳兄弟公司的简史开始——它的成立,它好斗的创始人,以及音乐在工作室发行中所起的关键作用。斯坦纳在华纳的第一部作品《冲锋轻骑兵》将成为另一个里程碑——一部宏大的动作冒险配乐,为当代电影音乐奠定了基础。尽管最后期限很紧,制片人哈尔·沃利斯也对他寄予厚望,但斯坦纳还是取得了胜利,这让他重返塞尔兹尼克更加令人沮丧。大卫越来越多的微观管理延伸到了音乐领域;当塞尔兹尼克的最新电影《一个明星的诞生》中,自称是施泰纳“最忠实的粉丝”的制片人对他的配乐一笔抹杀时,马克斯彻底崩溃了。斯坦纳是一个骄傲的人(虽然经常缺乏安全感),他辞去了在塞尔兹尼克的职位,但向制片人强调,他希望继续做朋友。他的动机不完全是个人的。马克斯知道塞尔兹尼克即将拍摄十年来最成功的小说《乱世佳人》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Battles Won and Lost
This chapter begins with a concise history of Warner Bros.—its inception, its combative founders, and the key role that music played in the studio’s releases. Steiner’s first work at Warners, The Charge of the Light Brigade, would be another milestone—a grand action-adventure score foreshadowing contemporary film music. Despite a tight deadline, and high expectations from producer Hal Wallis, Steiner triumphed, which made his return to Selznick all the more crushing. David’s increasing micromanagement extended to music; and Max was devastated when the producer who had called himself Steiner’s “biggest fan” eviscerated his score for A Star Is Born, Selznick’s latest film. A proud (if often insecure) individual, Steiner resigned his post at Selznick but stressed to the producer his desire to remain friends. His motives were not solely personal. Max knew that Selznick was about to film the most successful novel of the decade: Gone with the Wind.
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