Ionesco痴迷于风景图像签名Gábor Tompa

Tamara Constantinescu
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摘要

在罗马尼亚戏剧空间以及国际上的参考创作者中,导演Gábor Tompa对尤金·约内斯库的文本美学有着持久的吸引力,这强烈地影响了他的完美之路,并跻身最重要的导演之列。1992年,在克鲁日的匈牙利剧院,Gábor Tompa上演了令人难忘的戏剧《秃头女高音》,这是他后来职业生涯的支柱之一。然后,在2003年,Gábor Tompa在克鲁日的匈牙利剧院用雅克或服从的文本阐述的戏剧表演可以被称为一个完整的表演,其中对爱奥尼西亚信息的解密是用大量的幻想和暗含的黑色幽默完成的。2014年,他在布加勒斯特诺塔拉剧院的舞台上重建了《新房客》。该剧不仅受到了大众的好评,也受到了戏剧界人士的好评,并被选为2014年著名电影节的最佳演出之一。在2020年初,《犀牛》作为一部极具冲击力的文本出现在Gábor Tompa,这决定了它在timi oara的Mihai Eminescu国家剧院的演出,获得了真正的成功。直到现在,由Gábor Tompa签名的舞台图像仍然是戏剧建筑和尤金·伊涅斯科文本的参考页面,真正的启示,在舞台上拥有清晰的信息,反映社会人类现实,同时,真正的反思冲动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ionesco Obsessions in Scenic Imagery Signed Gábor Tompa
Among the reference creators in the Romanian theatrical space, but also internationally, the director Gábor Tompa had a constant attraction for the aesthetics of Eugene Ionescu's texts, which strongly influenced his path of perfection and ranking among the most important directors. In 1992, at the Hungarian Theater of Cluj, Gábor Tompa staged the memorable theater play The Bald Soprano, a performance that will represent one of the pillars of his later career. Then, in 2003, the theater performance elaborated by Gábor Tompa using the text Jacques or the Obedience, at the Hungarian Theater of Cluj, can be called a total one, in which the decryption of the Ionescian message was done with a lot of fantasy and suggestive black humor. In 2014, he rebuilt the The New Tenant on the stage of Nottara Theater in Bucharest. The staging was well received by the general public, but also by the theater people, also appreciated by the selection among the best performances in prestigious festivals of 2014. At the beginning of 2020, Rhinoceros appears to Gábor Tompa as an extremely percussive text, which determines its staging at the Mihai Eminescu National Theater of Timişoara, enjoying an authentic success. Until now, the stage imagery signed by Gábor Tompa, will remain a reference page of theatrical constructions and Eugene Ionesco's texts, real revelations, owning well-articulated messages on stage, reflecting socio-human realities and concurrently, a real urge to reflect.
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