一个人不是一个女人:拉迪卡在巴格特的一个印度女孩

Bhawana Pokharel
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摘要

一个女孩虽然出生和成长为女性,但她是否仍然是一个女人,还是挑战社会赋予的刻板性别身份而成为一个人,这是她的选择。Chetan Bhagat的《一个印度女孩》最好地说明了这一问题,并对后者进行了暗示性的说明。小说的中心人物印度女孩拉迪卡·梅哈塔是他的代言人。本文通过西蒙娜·德·波伏娃在她的开创性著作《第二性》中所设想的批判性见解和斯特·霍尔关于一个人的身份的“存在”和“成为”概念,分析了跨文化女性的社会文化塑造。研究人员认为,拉迪卡虽然是天生的女性,但为了成为一个完全成熟的人,她拒绝了社会赋予她的女性性别身份,即第二性别,以享受她的生活。本文探讨了她如何维护自我建构的身份,以及如何运用在我们这样的父权社会中被视为男性特权的独立和自由。通过这样的方式,文章赋予了那些在渴望自由和自给自足的过程中,却在当代生活中经历着更艰难斗争的无声女性以声音。文章还讨论了女性如何克服男性沙文主义者的刻板贬低待遇,她们想要开拓自己的自由生活,过上自己选择的生活。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Human not a Woman: Radhika in Bhagat's One Indian Girl
A girl though born and bred as a female whether remains a woman or challenges the socially assigned stereotypical sexual identity and becomes a human, is the matter of her choice. Chetan Bhagat’s One Indian Girl best illustrates this issue with a suggestive note for the latter. The central character Radhika Mehata, the Indian girl, is his mouthpiece in the novel. This paper analyzes the socio-cultural making of a woman across cultures with critical insights envisioned by Simone De Bauvoir in her seminal book The Second Sex and Sturt Hall’s notion of ‘being’ and ‘becoming’ regarding one’s identity. The researcher argues that Radhika though a born female denies her socially given sexual identity of a woman, the second sex, to enjoy her life by becoming a fully-fledged human being. This article examines how she asserts a self constructed identity for herself as well as exerts independence and freedom that are taken as a male prerogative in patriarchal societies like ours. In doing so, the article imparts voice to the voiceless women who in the course of aspiring to be free and self-sufficient but are undergoing a tougher struggle in their lives at contemporary times. It also discusses how the stereotypically demeaning treatment by male chauvinists can be overcome by the females who want to pioneer their own unfettered being and live a life of their own choice.
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