“我看不下去了”:梅尔维尔《广场》中的公正世界假说

B. Elliott
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引用次数: 0

摘要

摘要:本文通过社会心理学家所谓的“公正世界假说”来探讨赫尔曼·梅尔维尔的《广场》。《广场故事》写于最后,是《广场故事》的开篇故事。《广场故事》为读者呈现了一位富有想象力的叙述者,他在一个偏僻的山间小屋里遇到一位年轻女子,他对她的行为常常令人费解;本文通过研究“公正世界信念”的心理学来分析他的行为,这一现象可能解释了为什么人们经常拒绝和指责悲剧的受害者和那些受苦的人。这种分析反过来又揭示了《广场故事集》中其他故事中人物的类似心理立场,最著名的是《抄写员巴特比》中的律师。虽然梅尔维尔的作品经常通过哲学和道德的镜头来探索,但他以现实的方式捕捉复杂心理的能力在《广场故事》中得到了有力的展示,尤其是在开篇故事中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"I could not bear to look": The Just-World Hypothesis in Melville's "The Piazza"
Abstract:This article explores Herman Melville's "The Piazza" through the lens of what social psychologists term the Just-World Hypothesis. Written last and serving as the opening story of The Piazza Tales, "The Piazza" presents readers with an imaginative narrator whose actions toward a young woman he meets in a lonely mountain cabin often seem puzzling; the present essay analyzes his behavior by examining the psychology of Belief in a Just World, a phenomenon that potentially explains why people often reject and blame victims of tragedy and those who suffer. This analysis, in turn, illuminates aspects of similar psychological positions for characters in other stories in The Piazza Tales, most notably the lawyer in "Bartleby, the Scrivener." While Melville's works are often explored through the lenses of philosophy and morality, his ability to capture complex psychology in a realistic manner is powerfully demonstrated in The Piazza Tales, especially in the opening story.
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