4. 性的转变:詹姆士一世的悲喜剧和私人生活的重构

M. Rose
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摘要

詹姆士一世悲喜剧是英国文艺复兴时期最后一部面向公众的原创戏剧。尽管有许多具有启发性的研究,但没有任何解释能够解释这种混合类型的所有奇怪之处,其中最突出的是许多戏剧在美学上的优越性与其毋庸置疑的历史重要性之间的显著差异,包括它们在当代的流行以及它们在17世纪戏剧的长期发展中所起的关键作用。以莎士比亚的ro为中心的解释
本文章由计算机程序翻译,如有差异,请以英文原文为准。
4. Transforming Sexuality : Jacobean Tragicomedy and the Reconfiguration of Private Life
Jacobean tragicomedy is the last original formal creation of En­ glish Renaissance drama meant for a public audience. Despite many illuminating studies , no explanation has ever accounted for all of the oddities of this hybrid genre, the most prominent of which remains the striking discrepancy between the aesthetic in­ feriority of many of the plays and their undoubted historical im­ portance, including their contemporary popularity and the crucial role they played in the long-term development of seventeenth­ century drama. 1 Explanations that center on Shakespeare's ro-
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