{"title":"20世纪20年代至40年代俄罗斯故事片中的阿尔泰","authors":"I. Shestakova","doi":"10.37386/2305-4077-2022-1-123-133","DOIUrl":null,"url":null,"abstract":"The article traces the historical dynamics of the «Altai feature film text». The author uses the concepts of «geoculture», «geopoetics», «geopolitics», proposed by V. Abashev, D. Zamyatin. The issues of the formation of film production in Siberia, the evolution of the Altai cinema image, the formation of symbolic dominants in feature films made in the 1920s and 1940s are considered. The interrelation of the geocultural paradigm with the political and social events in Russia of this time is shown.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"ALTAI IN RUSSIAN FEATURE FILMS OF THE 1920s - 1940s\",\"authors\":\"I. Shestakova\",\"doi\":\"10.37386/2305-4077-2022-1-123-133\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article traces the historical dynamics of the «Altai feature film text». The author uses the concepts of «geoculture», «geopoetics», «geopolitics», proposed by V. Abashev, D. Zamyatin. The issues of the formation of film production in Siberia, the evolution of the Altai cinema image, the formation of symbolic dominants in feature films made in the 1920s and 1940s are considered. The interrelation of the geocultural paradigm with the political and social events in Russia of this time is shown.\",\"PeriodicalId\":187515,\"journal\":{\"name\":\"Culture and Text\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Culture and Text\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.37386/2305-4077-2022-1-123-133\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Culture and Text","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37386/2305-4077-2022-1-123-133","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
ALTAI IN RUSSIAN FEATURE FILMS OF THE 1920s - 1940s
The article traces the historical dynamics of the «Altai feature film text». The author uses the concepts of «geoculture», «geopoetics», «geopolitics», proposed by V. Abashev, D. Zamyatin. The issues of the formation of film production in Siberia, the evolution of the Altai cinema image, the formation of symbolic dominants in feature films made in the 1920s and 1940s are considered. The interrelation of the geocultural paradigm with the political and social events in Russia of this time is shown.
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