苏联及后苏联时期俄罗斯诗歌对西班牙绘画图像的接受(1950 - 2000年)

S. S. Zhdanov, I. Gauzer
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引用次数: 0

摘要

本文探讨了20世纪50年代至2000年代俄罗斯诗歌对西班牙绘画形象的接受。研究资料来自B.A. Akhmadulina, I.A. Brodsky, Z.M. Val 'shonok, A.A. Voznesensky, A.I. giitovich, E.A. Dolmatovsky, I.V. Elagin, N.P. Konchalovskaya, A.S. Kushner, S.S. Orlov, M.B. Tarasova, S.N. Tolstoy, V.S. Shefner的文本。从符号学和神话批评的角度分析了西班牙绘画中的形象。这些形象与俄罗斯文化的西班牙神话的联系是陈述。西班牙绘画人物形象(委拉斯开兹、格列柯、戈雅、毕加索、达利)是神话中的文化英雄。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
RECEPTION OF IMAGES OF SPANISH PAINTINGS IN RUSSIAN POETRY OF THE SOVIET AND POST-SOVIET ERA (1950s – 2000s)
The paper deals with reception of images of Spanish paintings in Russian poetry of the 1950-s – 2000-s. The study materials are texts by B.A. Akhmadulina, I.A. Brodsky, Z.M. Val’shonok, A.A. Voznesensky, A.I. Gitovich, E.A. Dolmatovsky, I.V. Elagin, N.P. Konchalovskaya, A.S. Kushner, S.S. Orlov, M.B. Tarasova, S.N. Tolstoy, V.S. Shefner. The images of Spanish paintings are analyzed in terms of semiotic and myth criticism methods. The connection of these images to the Spanish myth of the Russian culture is stated. The images of Spanish pictorial personosphere (Velazquez, El Greco, Goya, Picasso, Dali) are characterized as cultural heroes of the myth.
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