斯特尔马克的小说《面包和盐》中母亲的形象

O. Tsyhanok, Oleksandr Sanivskyi
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摘要

本文考察了卡捷琳娜·查琴科的形象,特别揭示了“母亲形象”概念的本质,强调了母亲形象的民族原型的特殊性。本文的目的是研究M. Stelmakh小说《面包和盐》中母亲的形象。仔细阅读小说的文本,我们有理由挑选出卡特琳娜·查琴科形象的以下组成部分:作者非常简洁地呈现了这个女人的外表——矮,瘦;她与儿子和孩子的关系:伊万·查琴科(Ivan Chaichenko)和他的妻子和孩子与母亲住在一起;卡捷琳娜·恰琴科和她的儿媳关系很好,两个女人相处得很好;母亲对儿子的爱是如此强烈,以至于她牺牲了自己的生命——她同意卖掉家里的房子和土地,这样伊万·查琴科和他的家人就有了旅行的钱,这是他们第一次在一个新的地方安顿下来,建立生活;这个女人非常善良:她去了“储藏室”,也就是说,她从和她一样贫穷的家庭租了一个储藏室;这个女人照顾格兰察克的许多孩子,她和他们住在一起,是免费的,因为没有什么可以付给她的;渐渐地,她把儿子留给她的粮食给它们吃,这样她就可以在春天播种了;女人把最后一粒粮食给格兰查卡斯,以挽救一个孩子的生命;卡捷琳娜·恰琴科第二次牺牲了自己——她去教区执事那里请求一些粮食和乞讨许可。与此同时,她明白自己活的时间不多了,也许要等到下一个冬天,那时,她从一个村庄乞讨到另一个村庄,她会冻死在路上或别人的毯子下。卡捷琳娜·查琴科的形象接近于“好母亲”的原型形象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The image of the mother in the novel «Bread and salt» by M. Stelmakh
The article examines the image of Kateryna Chaichenko, in particular reveals the essence of the concept of «mother’s image», emphasizes the peculiarities of the national archetypes of the image of the Mother. The purpose of the article is to investigate the image of the mother in the novel «Bread and salt» by M. Stelmakh. A careful reading of the text of the novel gave reason to single out the following components of the image of Kateryna Chaichenko: the author presents the woman's appearance very succinctly – short, thin; her relationship with her son and his children: Ivan Chaichenko and his wife and children live with their mother; the relationship between Kateryna Chaychenko and her daughter-in-law is good, the women get along with each other; the mother’s love for her son is so strong that the woman sacrifices her life – she agrees to sell the family’s house and land, so that Ivan Chaichenko and his family have money for the trip and for the first time, while they get settled and establish life in a new place; the woman is extremely kind: she goes «to the storeroom», that is, she rents a storeroom from the same poor family as hers; the woman takes care of the numerous children of the Granchaks, with whom she lives, for free, because there is nothing to pay her; gradually she gives them for food the grain that her son left her, so that she could sow it in the spring; the woman gives the last grain to Granchakas to save a child’s life; Kateryna Chaychenko sacrifices herself for the second time – she goes to the parish clerk to ask for some grain and permission to beg. At the same time, she understands that she does not have much time left to live, perhaps until the next winter, when, begging from village to village, she will freeze on the road or under someone’s blanket. The image of Kateryna Chaichenko is close to the archetypal image of the Good Mother.
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