指关节骨和鹅:莉莉亚男孩的游戏和危险

D. Ignatiadou, I. Papaikonomou, I. Poupaki
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引用次数: 2

摘要

一个特别漂亮的男孩大理石雕像,出土于希腊的利利亚,并在雅典国家考古博物馆展出,它为我们提供了一个探索男孩游戏与危险结果之间联系的机会。无论是男孩脸上的表情,还是他拿着星星和鹅的方式,都需要多层次的解读。这首先与奉献的意图有关,游戏需要一个象形或涉及一只鹅的识别,以及为特定图像选择这些特定的玩具。为什么他拿着一个黄芪,而且是用这种特殊的方式?为什么这只鹅会出现在图片中,这是鹅科的哪一种?与其他著名的希腊石头或陶土作品相比,该主题和作品的明显独创性决定了我们对那个时期艺术和象征性探索环境的研究,也反映了艺术家选择在特定的空间和时间背景下指定一个孩子作为玩具的主人,可能与从危及生命的发烧中康复有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Knucklebone and the Goose: Playing and Jeopardy for the Boy of Lilaia
Abstract A particularly beautiful marble statue of a boy, a dedication unearthed in Lilaia, Phokis, and on display in the National Archaeological Museum, Athens, is an opportunity for us to explore the connection between the boys’ games and the jeopardy in their outcome. Both the expression on the boy’s face and the way he holds an astragal and a goose demand multiple levels of reading. These are related to the intent of the dedication in the first place, the identification of the games requiring an astragal or involving a goose, as well as to the choice of these specific playthings for the particular imagery. Why is he holding a single astragal, and in such a particular way? Why is the goose included in the picture, and what species of Anatidae is this? The apparent originality of the motif and of the work, in comparison with other well-known Hellenistic representations in stone or terracotta, dictated our research into the milieu of artistic and symbolic quests of that period, and also a reflection on the choice of the artist to designate a child as the owner of the playthings within a particular spatial and temporal context, perhaps associated with healing frοm a life-threatening fever.
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