{"title":"纪录片与好莱坞","authors":"P. Dunne","doi":"10.2307/1209558","DOIUrl":null,"url":null,"abstract":"ten about the American documentary). Indeed, an able analysis of the documentary by Mr. Grierson appears elsewhere in this issue. However, I do feel that I may be permitted to describe the appearance of the documentary to a fairly typical Hollywood picturemaker thrown suddenly into the field and into close association with professionals in the medium. This association, a creature of the war, is one I profoundly hope will continue into the peace. Hollywood picturemakers have much to learn from the documentarians, and vice versa. Both groups have suffered from inbreeding. I learned about documentaries the","PeriodicalId":128945,"journal":{"name":"Hollywood Quarterly","volume":"29 3 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"The Documentary and Hollywood\",\"authors\":\"P. Dunne\",\"doi\":\"10.2307/1209558\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ten about the American documentary). Indeed, an able analysis of the documentary by Mr. Grierson appears elsewhere in this issue. However, I do feel that I may be permitted to describe the appearance of the documentary to a fairly typical Hollywood picturemaker thrown suddenly into the field and into close association with professionals in the medium. This association, a creature of the war, is one I profoundly hope will continue into the peace. Hollywood picturemakers have much to learn from the documentarians, and vice versa. Both groups have suffered from inbreeding. I learned about documentaries the\",\"PeriodicalId\":128945,\"journal\":{\"name\":\"Hollywood Quarterly\",\"volume\":\"29 3 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Hollywood Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/1209558\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Hollywood Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/1209558","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
ten about the American documentary). Indeed, an able analysis of the documentary by Mr. Grierson appears elsewhere in this issue. However, I do feel that I may be permitted to describe the appearance of the documentary to a fairly typical Hollywood picturemaker thrown suddenly into the field and into close association with professionals in the medium. This association, a creature of the war, is one I profoundly hope will continue into the peace. Hollywood picturemakers have much to learn from the documentarians, and vice versa. Both groups have suffered from inbreeding. I learned about documentaries the