普希金的《黑桃皇后》:彼得堡故事的起源

E. Filonov
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引用次数: 0

摘要

《彼得堡故事》是俄罗斯文学彼得堡文本框架下的一种特殊体裁形式。《黑桃皇后》传统上被研究者认为是普希金的第二部彼得堡故事(继《青铜骑士》之后)。然而,文本的接受史表明,这种阅读只出现在20世纪初。本文试图追溯读者接受策略与文本叙事策略在不同时期的相关性变化,并描述读者的解读机制,从而导致《黑桃皇后》从一个世俗的短篇小说(接近《贝尔金循环》)转变为《彼得堡故事》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
PUSHKIN’S “THE QUEEN OF SPADES”: ON THE GENESIS OF THE PETERSBURG TALE
The Petersburg Tale is a specific genre formation within the framework of the Petersburg text of Russian literature. “The Queen of Spades” is traditionally regarded by researchers as Pushkin’s second (after the poem “The Bronze Horseman”) Petersburg Tale. However, the receptive history of the text indicates that this reading only emerged at the beginning of the 20th century. In this article an attempt is made to trace changing of the correlation between the readers’ reception strategies and the narrative strategies of the text at different times, and to describe the mechanisms of readers’ interpretation, which resulted in the transformation of “The Queen of Spades” from a secular short story (close to The Belkin Cycle) into the Petersburg Tale.
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