Sema Postacioglu-Banon
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摘要

《六集》被认为是康拉德最多样化的短篇小说集,在几个方面充当了诺斯特罗莫和他后来的小说之间的桥梁。它可以被定位为一种“暂停”,考虑到故事的质量,这些故事走向了尚未写出来的、更长的、更复杂的小说。“告密者”和“无政府主义者”是独立但互补的核心,将被重新制作并纳入《秘密特工》,就像“决斗”和“第二康德”将被纳入《西方人的眼睛》和《胜利》一样。用罗伯特·佩恩·沃伦(Robert Penn Warren)的话来说,在他为《诺斯特罗莫现代图书馆版》(Modern Library Edition of Nostromo)的介绍中,这些后来的小说“总的来说,是对那部作品中暂停的元素的专业化和细化”(引自《Guerard》1957:216)。然而,乍一看,《加斯帕·鲁伊斯》似乎缺少将这些故事联系在一起的向前推进的动力,它向后追溯到了《诺斯特罗莫》的素材。这部短篇小说的开头似乎与后面的故事脱离了关系,康拉德计划写另一个南美小说系列的“失败”,类似于马来林加德三部曲,以加斯帕·鲁伊斯(或贝纳维德斯,根据故事的文学来源)为中心,确实暗示了短篇小说不愿被改编成另一篇散文。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Gaspar Ruiz”: A Vitagraph of Desire
A SET OF SIX, regarded as Conrad's most varied collection of short serves in several ways as a bridge between Nostromo and the later novels. It can be located as a "suspension" in view of the quality of the stories that move towards yet unwritten, longer, far more complex novels. "The Informer" and "An Anarchist" are separate yet complementary nuclei to be reworked and incorporated in The Secret Agent, as "The Duel" and "II Conde" will be in Under Western Eyes and Victory. In Robert Penn Warren's words, from his introduction to the Modern Library Edition of Nostromo, these later novels are "by and large, specializations and elabora tions of elements that had been in suspension in that work" (cited in Guerard 1957: 216). At first sight, however, the forward thrust binding these stories together seems missing in "Gaspar Ruiz," which reaches backwards to the material of Nostromo. The short story with which the collection opens seems to unhinge itself from the stories that follow, and the "failure" of Conrad's plan to write another cycle of South American novels, similar to the Malay Lingard trilogy, centred on Gaspar Ruiz (or Benavides according to the story's literary source) does hint at the short story's resistance to be reworked as another piece of prose.
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