湖泊效应

A. Saab
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引用次数: 2

摘要

这一章讲述了布法罗曾经是一个繁荣的工业城市,从1825年伊利运河的开通开始,它经历了一个漫长的现代主义黄金时代。它描述了伊利运河在纽约和底特律之间的中途,将大西洋和五大湖连接起来,这给该地区带来了大量新的机会,并为布法罗赢得了“皇后之城”的绰号。它还引用了1901年的泛美博览会,该博览会使布法罗进入了国际视野。这一章解释了在1959年圣劳伦斯海道的开通使得伊利运河系统在运输货物方面变得过时之后,布法罗如何成为20世纪70年代深夜喜剧演员开场独白中的笑谈对象。它提到,国家艺术基金会和纽约州艺术委员会为大规模新古典主义的奥尔布赖特-诺克斯建筑群的扩建提供了资金。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Lake Effect
This chapter talks about Buffalo as a once booming industrial city that enjoyed a prolonged modernist golden age, beginning with the opening of the Erie Canal in 1825. It describes that the Erie Canal was midway en route between New York City and Detroit and linked the Atlantic Ocean to the Great Lakes, which brought an influx of new opportunities to the region and earning Buffalo the moniker of “the Queen City.” It also cites the 1901 Pan-American Exposition that placed Buffalo in the international eye. The chapter explains how Buffalo had become the butt of jokes in the opening monologues of late-night comedians by the 1970s after the opening of the Saint Lawrence Seaway in 1959 made the Erie Canal system obsolete for moving freight. It mentions that the National Endowment for the Arts and the New York State Council on the Arts provided funds for the expansion of the massive neoclassical Albright-Knox complex.
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