{"title":"费尔南多·索尔的一件未编目作品","authors":"Ricardo Aleixo","doi":"10.56902/sbs.2015.1.8","DOIUrl":null,"url":null,"abstract":"This article discusses a page of music manuscript, shelf no. MD-C-90 (4), preserved in a royal monastery situated in Madrid: the Convent of the Descalzas Reales. It contains three works for guitar, including two attributed to the Catalan composer and guitarist Fernando Sor (1778–1839). The first, entitled Minué de Sors, is known as Sor's Op. 23, No. 6, while the second short composition, Alemanda desors [sic], is not yet officially attributed to Sor. While recent research has revealed that Salvador Castro de Gistau (ca. 1770–?), a publisher originally from Madrid, issued this same piece in his Op. 6 with the title Allegretto, the version found in the manuscript of the Convent of the Descalzas Reales provides a new perspective on this work, potentially by Fernando Sor. The third piece is a minuet (Minué) without attribution.","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"28 8 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2015-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"An Uncatalogued Piece by Fernando Sor?\",\"authors\":\"Ricardo Aleixo\",\"doi\":\"10.56902/sbs.2015.1.8\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article discusses a page of music manuscript, shelf no. MD-C-90 (4), preserved in a royal monastery situated in Madrid: the Convent of the Descalzas Reales. It contains three works for guitar, including two attributed to the Catalan composer and guitarist Fernando Sor (1778–1839). The first, entitled Minué de Sors, is known as Sor's Op. 23, No. 6, while the second short composition, Alemanda desors [sic], is not yet officially attributed to Sor. While recent research has revealed that Salvador Castro de Gistau (ca. 1770–?), a publisher originally from Madrid, issued this same piece in his Op. 6 with the title Allegretto, the version found in the manuscript of the Convent of the Descalzas Reales provides a new perspective on this work, potentially by Fernando Sor. The third piece is a minuet (Minué) without attribution.\",\"PeriodicalId\":271859,\"journal\":{\"name\":\"Soundboard Scholar\",\"volume\":\"28 8 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2015-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Soundboard Scholar\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.56902/sbs.2015.1.8\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Soundboard Scholar","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.56902/sbs.2015.1.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文讨论的是一页音乐手稿,架子号。MD-C-90(4),保存在位于马德里的皇家修道院:Descalzas Reales修道院。它包含三首吉他作品,其中两首被认为是加泰罗尼亚作曲家和吉他手费尔南多·索尔(1778-1839)的作品。第一篇题为《索尔的细节》,被认为是索尔的作品23号,第6号,而第二篇短篇作品《悲哀》(Alemanda desors)尚未被正式认定为索尔的作品。虽然最近的研究表明,来自马德里的出版商Salvador Castro de Gistau(约1770 - ?)在他的Op. 6中以“Allegretto”的标题发布了同样的作品,但在Descalzas Reales修道院手稿中发现的版本提供了对该作品的新视角,可能是费尔南多·索尔。第三首曲子是一首没有署名的小步舞曲。
This article discusses a page of music manuscript, shelf no. MD-C-90 (4), preserved in a royal monastery situated in Madrid: the Convent of the Descalzas Reales. It contains three works for guitar, including two attributed to the Catalan composer and guitarist Fernando Sor (1778–1839). The first, entitled Minué de Sors, is known as Sor's Op. 23, No. 6, while the second short composition, Alemanda desors [sic], is not yet officially attributed to Sor. While recent research has revealed that Salvador Castro de Gistau (ca. 1770–?), a publisher originally from Madrid, issued this same piece in his Op. 6 with the title Allegretto, the version found in the manuscript of the Convent of the Descalzas Reales provides a new perspective on this work, potentially by Fernando Sor. The third piece is a minuet (Minué) without attribution.