基尔登表演艺术中心

O. J. Klakegg
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引用次数: 0

摘要

大多数关于项目治理和项目管理的文本都将组织描绘成由扮演抽象角色的匿名人员组成的,比如“项目经理”、“发起人”、“团队成员”。本文认为项目组织是由具有能力幽灵、强弱面幽灵以及与他人和组织的关系幽灵的个人发展起来的。故事情节呈现了一个现实生活中的案例研究,该项目在10年的时间里在挪威发展了一个新的文化机构。数据由两位研究者通过访谈和文献研究收集。本文首先定义了关键概念,然后提出了一个分析框架,目的是分析这个案例故事中的角色。它为项目经理和项目执行人员的角色提供了新的见解。这个故事说明了作为项目执行人员,连续性和持久性的重要性。这些问题在未来的项目中是相关的,因为项目的规模和复杂性越来越大,项目文献中对利益相关者价值的关注也越来越突出。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Kilden Performing Arts Centre
Most texts on project governance and project management portrays the organization as populated by anonymous people in abstract roles like ‘project manager’, ‘sponsor’, ‘team member’. This paper takes the contrasting position that the project organization is developed by individuals with a specter of competences, strong and weak sides and relations to other people and organizations. The storyline presents a case study from a real-life project developing a new culture institution in Norway over a period of 10 years. Data was gathered ex-post by two researchers through interviews and document studies. The paper first defines key concepts and then presents an analytical framework for the purpose of analyzing the roles in this case story. It gives new insight to the roles as project manager and project executive. The story illustrates the importance of continuity and persistence in the role as project executive. These issues are relevant in future projects given the growing size and complexity seen in projects and the focus on stakeholder value that is prominent in project literature.
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