感知卡里尔·丘吉尔的世界顶级女孩和Fatḥīyah El ā Assāl没有面具与戏剧和电影技术的关系

Amani Wagih Abd Al-Halim
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引用次数: 0

摘要

在《剧院里的一切皆有可能》一文中,谈到她的戏剧《名媛》,丘吉尔向雷内特·克莱特解释说,戏剧可以创造不合逻辑的联系:“如果你想把过去的人物带到舞台上,你可以做到,而不必找到现实的理由”(19)。《名媛》中的丘吉尔和《无面具》中的艾尔·阿萨尔都将来自不同社会阶层和历史背景的女性聚集在舞台上讲述她们的经历,目的是质疑“过去与当前社会实践之间的关系”(Morelli 154)。因此,丘吉尔和艾尔-阿萨尔的戏剧技巧将叙述的目的从单纯的娱乐变成了感知。据我所知,之前的研究都是从女性主义的角度来分析这两部剧的;因此,本文将采用符号学的方法,通过布莱希特的v效应,探讨两位剧作家采用的叙事技巧在培养观众/读者的感知而不仅仅是娱乐方面的意义。为了实现这一目标,本研究将探讨以下戏剧性因素:对时间和空间维度的违反,以及语言和非语言技巧的使用。英语与比较研究杂志第1卷,2019 65感知卡里尔·丘吉尔的世界顶级女孩和Fatḥīyah El - Assāl没有面具的戏剧和电影技术阿曼尼·瓦吉·阿卜德·哈利姆
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Perceiving the Worlds of Caryl Churchill Top Girls and Fatḥīyah El ʻAssāl Without Masks in Relation to Dramatic and Cinematic Techniques
Discussing her play Top Girls, Churchill explains to Renate Klett in "Anything's Possible in the Theatre" that theatre can create illogical connections: "If you want to bring characters from the past onto the stage then you can do it, without having to find a realistic justification" (19). Both Churchill in Top Girls and El-Assal in Without Masks bring a number of women from different social classes and historical backgrounds together on stage narrating their experiences, with the aim of questioning "the relationship between the past and current social practice" (Morelli 154). Hence, Churchill's and El-Assal's dramatic technique changes the purpose of narration from mere entertainment into that of perception. To the best of my knowledge, previous studies analyzed the two plays from a feminist perspective; therefore, this paper will adopt the semiotic approach to explore the significance of the narrative technique used by both dramatists to foster the audience/reader sense of perception rather than mere entertainment, through the employment of Brecht's V-effect. To achieve this aim, the proposed study will explore the following dramatic elements: the violation of temporal and spatial dimensions, and the employment of verbal and non-verbal techniques. TEXTUAL TURNINGS Department of English Journal of English and comparative Studies VOLUME 1, 2019 65 Perceiving the Worlds of Caryl Churchill Top Girls and Fatḥīyah El ʻAssāl Without Masks in Relation to Dramatic and Cinematic Techniques Amani Wagih Abd Al-Halim
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