身体和灵魂的幻象。

Caduceus (Springfield, Ill.) Pub Date : 1992-01-01
A Grey
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引用次数: 0

摘要

神圣之镜的灵感是在我经历了一系列神秘的经历之后出现的,这些经历使我重新定义了我对意识和自我的看法。在我看来,身体不仅仅是一个存在于不同形式和存在焦虑的世界里的固体孤立物体,而更像是一种无处不在的原始意识能量的表现....我希望我的画能直观地描绘出从物质感知到精神洞察的意识光谱,如果可能的话,作为通往神秘维度....的象征性门户显而易见的方法是呈现一个可信的、近乎超真实的身体写照,然后引诱观众进入更陌生的神秘维度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Visions of body and soul.

Inspiration for the Sacred Mirrors emerged after I had a series of mystical experiences that caused me to redefine my view of consciousness and the self. I saw the body as not just a solid isolated object in a world of separate forms and existential anxiety, but more like a manifestation of primordial energy of awareness that was everywhere present.... I wanted my paintings to visually chart the spectrum of consciousness from material perception to spiritual insight, and to function, if possible, as symbolic portals to the mystical dimension.... The obvious way was to present a believable and almost hyper-real portrayal of the physical body and then seduce the viewer into the stranger mystical dimensions.

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