从“共鸣”与“奇迹”的角度解读哈姆雷特的永恒角色

Sifan Gao
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引用次数: 0

摘要

由于《哈姆雷特》在莎士比亚的所有戏剧中占有最特殊和最重要的地位,因此对这部戏剧的研究一直很多。这些研究的重点可以分为对主题的分析、对男女人物性格的分析、对悲剧原因的分析等。在本文中,将提供许多证据和解释来说明哈姆雷特在这部戏剧中的“奇迹”。“奇迹”这个词最早是由Stephen Greenblatt在他的论文《共鸣与奇迹》中提出的。本文将主要探讨哈姆雷特对克劳迪斯国王、波洛尼尔斯、哈姆雷特唯一信任的朋友荷瑞修以及他的同学罗森克兰茨和吉尔登斯顿这三个男性角色的台词中所蕴含的奇妙之处。所有这些奇迹将被分为三个类别,对二元论、个人主义和时代混乱的讨论,作为一个整体,哈姆雷特将作为一个角色引导读者好奇和共鸣。最后一部分将作为上述的总结,并试图提供一个更深入的了解造成这一悲剧的原因。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
TO INTERPRET HAMLET AS AN EVERLASTING ROLE IN THE PERSPECTIVE OF “RESONANCE” AND “WONDER”
The studies on the play Hamlet has been numerous since the play occupies a most special and important place in all Shakespeare’s plays. The focuses of all these studies can be divided into the analysis on the theme, personalities of male and female characters, the reason of the tragedy and so on. In this essay, many evidences and interpretations will be provided to illustrate Hamlet as a “Wonder” in this play. The word “Wonder” is first put forward by Stephen Greenblatt in his essay titled, “Resonance and Wonder”. This article will mainly focus on the interpretation of the wonders in Hamlet’s lines addressed to these three male characters, Claudius the King, Polonius, Hamlet’s only trusted friend Horatio and his school fellows Rosencrantz and Guildenstern. All those wonders will be divided into three categories, the discussion on dualism, individualism and the disorder of the time, which as a whole will present Hamlet as a role leading reader to wonder and to resonate. The last part will serve as a conclusion of the above and try to provide a deeper understanding of the reason causing this tragedy.
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