安德鲁·马尔罗在罗曼·加里想象博物馆的中心

Jonathan Barkate
{"title":"安德鲁·马尔罗在罗曼·加里想象博物馆的中心","authors":"Jonathan Barkate","doi":"10.15388/litera.2022.64.4.7","DOIUrl":null,"url":null,"abstract":"Malraux is in the center of Gary’s imaginary museum. His name and thought are regularly quoted in Gary’s work. When the author of Pour Sganarelle, La Promesse de l’aube and La Danse de Gengis Cohn refers to the metamorphosis and the museum without walls – two concepts Malraux invented –, he uses Malraux’s image and writings to reveal how himself sees the world and the artist’s role. To analyse those quotes leads to reading Gary’s work through the lens of Malraux’s. It also shows how Gary portrays himself as a « conqueror of the impossible » while making his model embody his own aesthetic and ethical aspirations. His selfportrait as a jumping jack makes Gary follow the path of his friend, who elevated Man by softening his condition.","PeriodicalId":432201,"journal":{"name":"Literatūra","volume":"18 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"André Malraux at the Heart of Romain Gary’s Imaginary Museum\",\"authors\":\"Jonathan Barkate\",\"doi\":\"10.15388/litera.2022.64.4.7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Malraux is in the center of Gary’s imaginary museum. His name and thought are regularly quoted in Gary’s work. When the author of Pour Sganarelle, La Promesse de l’aube and La Danse de Gengis Cohn refers to the metamorphosis and the museum without walls – two concepts Malraux invented –, he uses Malraux’s image and writings to reveal how himself sees the world and the artist’s role. To analyse those quotes leads to reading Gary’s work through the lens of Malraux’s. It also shows how Gary portrays himself as a « conqueror of the impossible » while making his model embody his own aesthetic and ethical aspirations. His selfportrait as a jumping jack makes Gary follow the path of his friend, who elevated Man by softening his condition.\",\"PeriodicalId\":432201,\"journal\":{\"name\":\"Literatūra\",\"volume\":\"18 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-10-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Literatūra\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15388/litera.2022.64.4.7\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Literatūra","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15388/litera.2022.64.4.7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

马尔罗位于加里想象博物馆的中心。加里的作品中经常引用他的名字和思想。当《Pour Sganarelle》、《La prose de l 'aube》和《La Danse de Gengis Cohn》的作者提到变形和没有围墙的博物馆——马尔罗发明的两个概念时,他用马尔罗的形象和文字来揭示他如何看待世界和艺术家的角色。要分析这些引语,就需要通过马尔罗的视角来解读加里的作品。它还显示了加里如何将自己描绘成“不可能的征服者”,同时使他的模型体现了他自己的审美和道德愿望。他的自画像是一个跳杰克,让加里跟随他的朋友的道路,他通过软化他的条件来提升他。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
André Malraux at the Heart of Romain Gary’s Imaginary Museum
Malraux is in the center of Gary’s imaginary museum. His name and thought are regularly quoted in Gary’s work. When the author of Pour Sganarelle, La Promesse de l’aube and La Danse de Gengis Cohn refers to the metamorphosis and the museum without walls – two concepts Malraux invented –, he uses Malraux’s image and writings to reveal how himself sees the world and the artist’s role. To analyse those quotes leads to reading Gary’s work through the lens of Malraux’s. It also shows how Gary portrays himself as a « conqueror of the impossible » while making his model embody his own aesthetic and ethical aspirations. His selfportrait as a jumping jack makes Gary follow the path of his friend, who elevated Man by softening his condition.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信