{"title":"保卫家园,保卫国土:简有枪(2016)","authors":"John White","doi":"10.3366/edinburgh/9781474427920.003.0004","DOIUrl":null,"url":null,"abstract":"In Jane Got a Gun (2016) the home, both as the embodiment of dominant American values and as an image for the homeland, is a place under threat and in need of resolute defence post-9/11. This film operates as a post-9/11 expression of that traditional Western trope of the need to defend the home and all it stands for in American national mythology. However, there is an ambivalence over how the central character should be presented. To some extent she is the girl-power female who is able to defend her own home, but at the same time as a woman she has to be shown to be in need of male protection. As with both Open Range and True Grit there is a need for an army veteran who knows how to deploy extreme violence when the home/homeland is under intense threat.","PeriodicalId":255295,"journal":{"name":"The Contemporary Western","volume":"59 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Defending Home, Defending Homeland: Jane Got a Gun (2016)\",\"authors\":\"John White\",\"doi\":\"10.3366/edinburgh/9781474427920.003.0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In Jane Got a Gun (2016) the home, both as the embodiment of dominant American values and as an image for the homeland, is a place under threat and in need of resolute defence post-9/11. This film operates as a post-9/11 expression of that traditional Western trope of the need to defend the home and all it stands for in American national mythology. However, there is an ambivalence over how the central character should be presented. To some extent she is the girl-power female who is able to defend her own home, but at the same time as a woman she has to be shown to be in need of male protection. As with both Open Range and True Grit there is a need for an army veteran who knows how to deploy extreme violence when the home/homeland is under intense threat.\",\"PeriodicalId\":255295,\"journal\":{\"name\":\"The Contemporary Western\",\"volume\":\"59 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Contemporary Western\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474427920.003.0004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Contemporary Western","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474427920.003.0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在2016年的《简得到了一把枪》(Jane Got a Gun)中,家既是美国主流价值观的体现,也是国土的形象,是一个受到威胁的地方,需要在9/11之后坚决捍卫。这部电影是在后9/11时代对传统的西方修辞的表达,即保卫家园的需要,以及它在美国民族神话中所代表的一切。然而,在如何呈现中心角色的问题上存在矛盾心理。在某种程度上,她是一个有能力保卫自己家园的女性,但同时,作为一个女人,她必须表现出需要男性的保护。与《荒野大镖客》和《大地惊雷》一样,《荒野大镖客》需要一名退伍军人,他知道如何在家园受到严重威胁时使用极端暴力。
Defending Home, Defending Homeland: Jane Got a Gun (2016)
In Jane Got a Gun (2016) the home, both as the embodiment of dominant American values and as an image for the homeland, is a place under threat and in need of resolute defence post-9/11. This film operates as a post-9/11 expression of that traditional Western trope of the need to defend the home and all it stands for in American national mythology. However, there is an ambivalence over how the central character should be presented. To some extent she is the girl-power female who is able to defend her own home, but at the same time as a woman she has to be shown to be in need of male protection. As with both Open Range and True Grit there is a need for an army veteran who knows how to deploy extreme violence when the home/homeland is under intense threat.