从音乐到政治的蜕变:印尼立法选举中名人赠送甘尼萨的研究

A. Jamil, Rizki Briandana, R. Marta, Fahmi Fotaleno, Muhammad Raqib Mohd Sofian
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引用次数: 1

摘要

本研究旨在分析《给尼吉》从音乐舞台到政治舞台的蜕变。印尼的政治动态吸引了包括音乐家在内的所有社会群体和阶层。这项研究从观察进入政治世界的艺术家的现象开始,在这个例子中,吉林·甘尼萨,Nidji乐队的主唱。为了参加2019年立法会候选人选举,他决定离开让他名声大噪的音乐界。在与他的乐队Nidji一起在音乐界工作了15年后,Giring Ganesha最终决定辞职并选择进入政界。本研究采用了乔治·赫伯特·米德和赫伯特·布鲁默的符号互动理论。这种类型的研究是定性的,采用建构主义范式,采用案例研究方法。数据收集技术采用访谈和观察。本研究选取了四名举报人作为主要资料,Giring本人是本研究的关键举报人。本研究结果表明,在给甘尼萨从音乐家到政治家的蜕变过程中,他经历了准备阶段、游戏阶段、游戏阶段、概括阶段、成为立法候选人等几个漫长的阶段。最终,他形成了现在作为一个政治家的自我概念和思想。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
METAMORPHOSIS FROM MUSIC TO POLITICS: STUDY ON CELEBRITY GIRING GANESHA IN INDONESIAN LEGISLATIVE ELECTION
This study aims to analyze the metamorphosis of Giring Nidji from Music Stage to Politics Stage. Political dynamics in Indonesia are an attraction for all groups and levels of society, including musicians. This research begins by looking at the phenomenon of artists who have entered the world of politics, in this case Giring Ganesha, the vocalist of the band Nidji. He decided to leave the world of music that had raised his name to advance in the 2019 Legislative Candidate Election. After 15 years of working in the music world with his band Nidji, Giring Ganesha finally decided to resign and chose to enter politics. This study used the Symbolic Interaction Theory of George Herbert Mead and Herbert Blumer. This type of research is qualitative with a constructivist paradigm using a case study research method. The data collection techniques used interviews and observations. Four informants were selected as the main data and Giring himself was the key informant in this study. The results of this study indicate that in the metamorphosis process of Giring Ganesha from a musician to a politician, he has gone through several long stages such as preparation stage, play stage, game stage, generalizing stage, and becoming a legislative candidate. Eventually, he has formed his current self-concept and thoughts as a politician.
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