{"title":"“你在这里”:与鲍德里亚一起驾车穿越沙漠","authors":"Levi Jackson","doi":"10.59547/26911566.2.1.12","DOIUrl":null,"url":null,"abstract":"the freedom of movement that you have in the desert here, and indeed Los Angeles, with its extensive structure, is merely an inhabited fragment of the desert. Thus, the freeways do not de-nature the city or the landscape; they simply pass through it and unravel it without altering the desert character of this particular metropolis. And they are ideally suited to the only truly profound pleasure, that of keeping on the move. (55)","PeriodicalId":344094,"journal":{"name":"The Journal of Media Art Study and Theory","volume":"48 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“You Are Here”: On Driving with Baudrillard through the Desert\",\"authors\":\"Levi Jackson\",\"doi\":\"10.59547/26911566.2.1.12\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"the freedom of movement that you have in the desert here, and indeed Los Angeles, with its extensive structure, is merely an inhabited fragment of the desert. Thus, the freeways do not de-nature the city or the landscape; they simply pass through it and unravel it without altering the desert character of this particular metropolis. And they are ideally suited to the only truly profound pleasure, that of keeping on the move. (55)\",\"PeriodicalId\":344094,\"journal\":{\"name\":\"The Journal of Media Art Study and Theory\",\"volume\":\"48 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-05-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Journal of Media Art Study and Theory\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.59547/26911566.2.1.12\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Journal of Media Art Study and Theory","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.59547/26911566.2.1.12","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
“You Are Here”: On Driving with Baudrillard through the Desert
the freedom of movement that you have in the desert here, and indeed Los Angeles, with its extensive structure, is merely an inhabited fragment of the desert. Thus, the freeways do not de-nature the city or the landscape; they simply pass through it and unravel it without altering the desert character of this particular metropolis. And they are ideally suited to the only truly profound pleasure, that of keeping on the move. (55)
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