光作为设计建筑和城市环境的艺术工具

V.О. Praslova
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引用次数: 0

摘要

本文探讨了光作为建筑和照明设计的工具和艺术表达的手段,它创造了新的社会信息,并影响了环境对象和建筑环境。在工具的范围内,研究和形成艺术照明的技术,从艺术设计的角度确定城市和建筑环境的情感和形象形成的传统和创新照明工具。传统的手段和设备是镜头,光学,显影剂,LED和工艺灯。创新的手段和设备是投影仪、激光、视频映射、戏剧元素、音乐伴奏、通过网站和移动设备进行交互、使用系统控制的云环境管理、基于社会信息和感官的文案。研究的结果是,考虑了艺术设计的照明方法,具体来说,包括转换、数字艺术、情感表露、城市地标、历史守护者、光学隐喻、与自然融合以及艺术照明的类型。通过对这些例子的分析,我们也可以确定特定类型的艺术照明和光艺术效果:功能性的、大气的、光学的、媒体的或数字的、带有阴影和焦散效果的组合类型。对于每一种类型的照明,在城市、建筑和物体空间三个层面上都制定了独特的技术和环境组织手段。方法、技术和工具的使用既可以结合使用,也可以单独使用。它们的和谐实施和使用形成了一个情感互动的照明建筑和城市规划环境,有自己的氛围和感知规则。在每种制定的环境照明类型中,成功地运用某些方法和手段可以表达情感和社会信息。他们的有机互动是可能的,应用基于哲学和社会信息与美学和现代技术相结合的艺术方法,鼓励社会责任和自我组织。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Light as an artistic tool of designing the architectural and urban environment
The article examines light as a tool of architectural and lighting design and a mean of artistic expression, which creates new social messages and influences environmental objects and the architectural environment. Within the scope of the tool, techniques of artistic lighting are researched and formed, traditional and innovative lighting tools of emotional and figurative formation of the urban and architectural environment from the standpoint of artistic design are determined. Traditional means and devices are lenses, optics, developer, LED and craft lamps. Innovative means and equipment are projectors, lasers, video mapping, theatrical elements, musical accompaniment, interaction through websites and mobile devices, management of the cloud environment using system controls, copywriting based on social messages and senses. As a result of the study, light methods of artistic design were considered, specifically transformation, digital art, emotional disclosure, city landmark, keeper of history, optical metaphor, fusion with nature, and types of artistic lighting were formulated. The analysis of the examples also allowed us to determine specific types of artistic lighting and light artistic effects: functional, atmospheric, optical, media or digital, combinatorial type with shadow and caustic effects. For each type of lighting, unique techniques and means of environment organization are formulated for each of the three levels: urban, architectural and object-spatial. The usage of methods, techniques and tools is possible both combined and separately. Their harmonious implementation and usage form an emotional interactive lighting architectural and urban planning environment with its own atmosphere and rules of perception. Successful operation of certain methods and means within each of the formulated types of environment lighting could express emotionality and social messages. Their organic interaction is possible applying an artistic approach based on the combination of philosophy and social messages with aesthetics and modern technologies and that encourages social responsibility and self-organization.
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