{"title":"通过对艺术品的观察和检查,看到中国传统古董书画的保存和保护","authors":"Huan-Shen Lin","doi":"10.1080/03094227.2006.9638436","DOIUrl":null,"url":null,"abstract":"Summary This paper emphasizes the importance of examination and research into historic works of Chinese painting and calligraphy as a means to observing the effects of preservation and conservation methods, present and past. Deterioration of hanging scrolls and hand scrolls is described, along with traditional storage enclosures, as well as some conservation techniques for these materials. The principles of ‘flatness, softness, thinness, and brightness’, as applied to the mounting of hanging scrolls, are explained.","PeriodicalId":243922,"journal":{"name":"The Paper Conservator","volume":"25 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2006-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Preservation and conservation of traditional antique Chinese painting and calligraphy seen through observation and examination of works of art\",\"authors\":\"Huan-Shen Lin\",\"doi\":\"10.1080/03094227.2006.9638436\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Summary This paper emphasizes the importance of examination and research into historic works of Chinese painting and calligraphy as a means to observing the effects of preservation and conservation methods, present and past. Deterioration of hanging scrolls and hand scrolls is described, along with traditional storage enclosures, as well as some conservation techniques for these materials. The principles of ‘flatness, softness, thinness, and brightness’, as applied to the mounting of hanging scrolls, are explained.\",\"PeriodicalId\":243922,\"journal\":{\"name\":\"The Paper Conservator\",\"volume\":\"25 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2006-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Paper Conservator\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03094227.2006.9638436\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Paper Conservator","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03094227.2006.9638436","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Preservation and conservation of traditional antique Chinese painting and calligraphy seen through observation and examination of works of art
Summary This paper emphasizes the importance of examination and research into historic works of Chinese painting and calligraphy as a means to observing the effects of preservation and conservation methods, present and past. Deterioration of hanging scrolls and hand scrolls is described, along with traditional storage enclosures, as well as some conservation techniques for these materials. The principles of ‘flatness, softness, thinness, and brightness’, as applied to the mounting of hanging scrolls, are explained.