{"title":"ԲԵՄԱԿԱՆԳՈՐԾՈՂՈՒԹՅՈՒՆ-ՀԱՆԴԻՍԱՏԵՍՀԱՐԱԲԵՐՈՒԹՅԱՆՀԻՄՆԱԽՆԴԻՐԸ1960 - 1980ԱԿԱՆԹԹ。ՀԱՅԹԱՏՐՈՆՈՒՄԱՐԵՎՄՏՅԱՆԹԱՏՐՈՆԻՈՐՈՆՈՒՄՆԵՐԻՀԱՄԱՏԵՔՍՏՈՒՄ","authors":"Lilit L. Manaseryan","doi":"10.57192/18291864-2023.1-189","DOIUrl":null,"url":null,"abstract":"In the 20th century, the stage space was understood as one of the most\nimportant theatrical categories. \nCulturologist, philosopher E. Surio distinguishes two types of stage\nspace: a cube and a sphere. Surio highlights the main characteristics of these\ntwo types of spaces: isolation, the unchanging point of view of the audience,\nthe specific material environment characteristic of the cube, and the open\nnature of the spherical space, involving the audience in its radius, making\nhim a participant of the performance.","PeriodicalId":436401,"journal":{"name":"Vem Pan-Armenian Journal","volume":"12 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"ԲԵՄԱԿԱՆ ԳՈՐԾՈՂՈՒԹՅՈՒՆ-ՀԱՆԴԻՍԱՏԵՍ ՀԱՐԱԲԵՐՈՒԹՅԱՆ ՀԻՄՆԱԽՆԴԻՐԸ 1960-1980-ԱԿԱՆ ԹԹ. ՀԱՅ ԹԱՏՐՈՆՈՒՄ ԱՐԵՎՄՏՅԱՆ ԹԱՏՐՈՆԻ ՈՐՈՆՈՒՄՆԵՐԻ ՀԱՄԱՏԵՔՍՏՈՒՄ\",\"authors\":\"Lilit L. Manaseryan\",\"doi\":\"10.57192/18291864-2023.1-189\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the 20th century, the stage space was understood as one of the most\\nimportant theatrical categories. \\nCulturologist, philosopher E. Surio distinguishes two types of stage\\nspace: a cube and a sphere. Surio highlights the main characteristics of these\\ntwo types of spaces: isolation, the unchanging point of view of the audience,\\nthe specific material environment characteristic of the cube, and the open\\nnature of the spherical space, involving the audience in its radius, making\\nhim a participant of the performance.\",\"PeriodicalId\":436401,\"journal\":{\"name\":\"Vem Pan-Armenian Journal\",\"volume\":\"12 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Vem Pan-Armenian Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.57192/18291864-2023.1-189\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Vem Pan-Armenian Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.57192/18291864-2023.1-189","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
ԲԵՄԱԿԱՆ ԳՈՐԾՈՂՈՒԹՅՈՒՆ-ՀԱՆԴԻՍԱՏԵՍ ՀԱՐԱԲԵՐՈՒԹՅԱՆ ՀԻՄՆԱԽՆԴԻՐԸ 1960-1980-ԱԿԱՆ ԹԹ. ՀԱՅ ԹԱՏՐՈՆՈՒՄ ԱՐԵՎՄՏՅԱՆ ԹԱՏՐՈՆԻ ՈՐՈՆՈՒՄՆԵՐԻ ՀԱՄԱՏԵՔՍՏՈՒՄ
In the 20th century, the stage space was understood as one of the most
important theatrical categories.
Culturologist, philosopher E. Surio distinguishes two types of stage
space: a cube and a sphere. Surio highlights the main characteristics of these
two types of spaces: isolation, the unchanging point of view of the audience,
the specific material environment characteristic of the cube, and the open
nature of the spherical space, involving the audience in its radius, making
him a participant of the performance.
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