{"title":"休伯特·克拉肯索普与《阿尔伯马尔》:语境研究","authors":"D. Malcolm","doi":"10.3366/edinburgh/9781474461085.003.0004","DOIUrl":null,"url":null,"abstract":"The short life of The Albemarle (January-September 1892), edited by Hubert Crackanthorpe and W.H. Wilkins, makes it possible to see clearly how short fiction engages in a dialogue with the articles, visual materials and advertising that surround it. Although short stories play an important role in the journal (and Crackanthorpe was a prominent short-story writer of the early 1890s), they are immersed within a mass of different material. The socially critical import of several is attenuated by the periodical’s implied readership (well-off, traditionally educated). Indeed, the technical conservatism of most short stories in the journal suggests a readership without innovative literary interests. Although The Albemarle was edited by a short-story writer, short fiction is ultimately peripheral to it.","PeriodicalId":427766,"journal":{"name":"The Modern Short Story and Magazine Culture, 1880-1950","volume":"11 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Hubert Crackanthorpe and The Albemarle: A Study of Contexts\",\"authors\":\"D. Malcolm\",\"doi\":\"10.3366/edinburgh/9781474461085.003.0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The short life of The Albemarle (January-September 1892), edited by Hubert Crackanthorpe and W.H. Wilkins, makes it possible to see clearly how short fiction engages in a dialogue with the articles, visual materials and advertising that surround it. Although short stories play an important role in the journal (and Crackanthorpe was a prominent short-story writer of the early 1890s), they are immersed within a mass of different material. The socially critical import of several is attenuated by the periodical’s implied readership (well-off, traditionally educated). Indeed, the technical conservatism of most short stories in the journal suggests a readership without innovative literary interests. Although The Albemarle was edited by a short-story writer, short fiction is ultimately peripheral to it.\",\"PeriodicalId\":427766,\"journal\":{\"name\":\"The Modern Short Story and Magazine Culture, 1880-1950\",\"volume\":\"11 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-08-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Modern Short Story and Magazine Culture, 1880-1950\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474461085.003.0004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Modern Short Story and Magazine Culture, 1880-1950","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474461085.003.0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Hubert Crackanthorpe and The Albemarle: A Study of Contexts
The short life of The Albemarle (January-September 1892), edited by Hubert Crackanthorpe and W.H. Wilkins, makes it possible to see clearly how short fiction engages in a dialogue with the articles, visual materials and advertising that surround it. Although short stories play an important role in the journal (and Crackanthorpe was a prominent short-story writer of the early 1890s), they are immersed within a mass of different material. The socially critical import of several is attenuated by the periodical’s implied readership (well-off, traditionally educated). Indeed, the technical conservatism of most short stories in the journal suggests a readership without innovative literary interests. Although The Albemarle was edited by a short-story writer, short fiction is ultimately peripheral to it.