休伯特·克拉肯索普与《阿尔伯马尔》:语境研究

D. Malcolm
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引用次数: 1

摘要

由休伯特·克拉肯索普和W.H.威尔金斯编辑的《阿尔伯马尔》(1892年1月至9月)的生命短暂,使人们有可能清楚地看到短篇小说是如何与围绕它的文章、视觉材料和广告进行对话的。尽管短篇小说在杂志中扮演着重要的角色(克拉肯索普是19世纪90年代早期一位杰出的短篇小说作家),但它们沉浸在大量不同的材料中。由于期刊的潜在读者(富裕的、受过传统教育的),一些期刊的社会批判重要性被削弱了。事实上,杂志上大多数短篇小说的技术保守主义表明,读者没有创新的文学兴趣。虽然《阿尔伯马尔》是由一位短篇小说作家编辑的,但短篇小说最终还是次要的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Hubert Crackanthorpe and The Albemarle: A Study of Contexts
The short life of The Albemarle (January-September 1892), edited by Hubert Crackanthorpe and W.H. Wilkins, makes it possible to see clearly how short fiction engages in a dialogue with the articles, visual materials and advertising that surround it. Although short stories play an important role in the journal (and Crackanthorpe was a prominent short-story writer of the early 1890s), they are immersed within a mass of different material. The socially critical import of several is attenuated by the periodical’s implied readership (well-off, traditionally educated). Indeed, the technical conservatism of most short stories in the journal suggests a readership without innovative literary interests. Although The Albemarle was edited by a short-story writer, short fiction is ultimately peripheral to it.
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