市场上:手工时尚的兴起

H. Heim
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引用次数: 1

摘要

人们认识到,在当前的全球创意经济中,小规模企业家已经出现、生存下来,甚至蓬勃发展,手工生产的产品有所增长,包括精酿啤酒、柴火面包和定制服装。手工时尚的兴起是当前趋势的一部分,可以归因于全球化创意经济的几个影响。其中包括通过通信技术的发展以及消费者偏好的改变,在小规模时装商业部门面临的机遇和挑战。从业人员自身的动机也推动了这一趋势,显示出时装设计师对寻求自主性和灵活性以及更具创造性的职业生涯的兴趣。“手工”一词的使用已经与从自动化制造转向手工制作并以某种方式充满细心的产品联系在一起。本研究的目的是了解什么定义了手工时装,当代手工工作室是如何出现的,以及这是否是小规模时装设计的一个子集,代表了时装设计创业的创新。本研究介绍四位在澳洲布里斯班当地工作的小型时装设计师的实践。调查是基于记者的报道以及设计师和其他人的社交媒体博客。该研究的目的是揭示不同于主流流程的活动和策略,以确定设计师和中介(博主)如何定义手工时尚。虽然这些小规模的时装设计师有共同的机遇和挑战,但对工艺,创业,哲学和美学的结合的理解似乎将手工时装与其他独立的时装设计区分开来。这项研究表明,“手工时尚”确实可以被定义为小规模时装设计和创业的一个子集,因此,代表了当前创意经济中的一个新的时尚类别。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
On the Market: The Rise of Artisanal Fashion
The recognition that small-scale entrepreneurs have emerged, survived and even thrived within the current global creative economy has seen growth in artisanally produced products including craft beer, wood-fired bread and custom made clothing. The rise of artisanal fashion forms a part of this current trend and can be attributed to several effects of the globalised creative economy. These include opportunities and challenges in the small-scale fashion business sector through the development of communication technology as well as changed consumer preferences. The motivations of practitioners themselves have also fuelled this trend , revealing fashion designers ’ interest in seeking autonomy and flexibility as well as a more creatively fulfilling career. The use of the term artisanal has been associated with a move away from automated manufacture and towards products that are hand - crafted and somehow imbued with care. The purpose of this study is to gain an understanding of what defines artisanal fashion, how the contemporary artisanal studio has emerged, and if this is a subset of small-scale fashion design that represents innovation in fashion design entrepreneurship. This study introduces the practices of four small - scale fashion designers working locally in Brisbane, Australia. The investigation is based on journalists’ reports and the social media blogs of the designers and others. The aim of the study is to uncover activities and strategies that differ from mainstream processes, to determine how both designers and intermediaries (bloggers) define artisanal fashion. While these small-scale fashion designers have opportunities and challenges in common, an understanding of the combination of process, entrepreneurship, philosophy and aesthetics appears to differentiate artisanal fashion from other independent fashion design. This study suggests that ‘artisanal fashion’ can indeed be defined as a subset of small - scale fashion design and entrepreneurship and therefore , represents a new fashion category in the current creative economy.
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