基于音乐表演实时分析的机械臂生成绘画

Richard J. Savery, A. Savery, J. Baird
{"title":"基于音乐表演实时分析的机械臂生成绘画","authors":"Richard J. Savery, A. Savery, J. Baird","doi":"10.1145/3527188.3563913","DOIUrl":null,"url":null,"abstract":"This paper describes a prototype audio-visual performance of a Ufactory Uarm Swift and a live musician. In this setting, the robotic arm was used as an AI agent to create a visual representation of a musical work in real-time. An A4 white canvas was gradually filled with a mixture of black, blue, red and yellow paints across the span of approximately eight minutes. The musician, performing on an acoustic violin, fitted with a custom built audio interface, performed multiple versions of an improvisatory work developed specifically for the prototype performance. The following sections discuss our technical approach to programming and implementing the Ufactory Uarm Swift as a painting arm, reflections of the musical process and propose future directions for this project.","PeriodicalId":179256,"journal":{"name":"Proceedings of the 10th International Conference on Human-Agent Interaction","volume":"16 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Robotic Arm Generative Painting Through Real-time Analysis of Music Performance\",\"authors\":\"Richard J. Savery, A. Savery, J. Baird\",\"doi\":\"10.1145/3527188.3563913\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper describes a prototype audio-visual performance of a Ufactory Uarm Swift and a live musician. In this setting, the robotic arm was used as an AI agent to create a visual representation of a musical work in real-time. An A4 white canvas was gradually filled with a mixture of black, blue, red and yellow paints across the span of approximately eight minutes. The musician, performing on an acoustic violin, fitted with a custom built audio interface, performed multiple versions of an improvisatory work developed specifically for the prototype performance. The following sections discuss our technical approach to programming and implementing the Ufactory Uarm Swift as a painting arm, reflections of the musical process and propose future directions for this project.\",\"PeriodicalId\":179256,\"journal\":{\"name\":\"Proceedings of the 10th International Conference on Human-Agent Interaction\",\"volume\":\"16 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of the 10th International Conference on Human-Agent Interaction\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/3527188.3563913\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the 10th International Conference on Human-Agent Interaction","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/3527188.3563913","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

本文描述了Ufactory warm Swift和现场音乐家的原型视听表演。在这种情况下,机器人手臂被用作人工智能代理,以实时创建音乐作品的视觉表现。在大约8分钟的时间里,在A4白色画布上逐渐填满了黑色、蓝色、红色和黄色的混合颜料。这位音乐家在一把装有定制音频接口的原声小提琴上表演,演奏了专门为原型表演开发的即兴作品的多个版本。下面的部分讨论了我们的技术方法,编程和实现Ufactory warm Swift作为一个绘画手臂,音乐过程的反思,并提出了这个项目的未来方向。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Robotic Arm Generative Painting Through Real-time Analysis of Music Performance
This paper describes a prototype audio-visual performance of a Ufactory Uarm Swift and a live musician. In this setting, the robotic arm was used as an AI agent to create a visual representation of a musical work in real-time. An A4 white canvas was gradually filled with a mixture of black, blue, red and yellow paints across the span of approximately eight minutes. The musician, performing on an acoustic violin, fitted with a custom built audio interface, performed multiple versions of an improvisatory work developed specifically for the prototype performance. The following sections discuss our technical approach to programming and implementing the Ufactory Uarm Swift as a painting arm, reflections of the musical process and propose future directions for this project.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信