一个被遗忘的文艺复兴时期罗马露天博物馆的研究与视觉视角

Arianna Farina
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引用次数: 0

摘要

城市是一组随意的视觉体验,分散在时间上,必须整合。布鲁诺·托斯卡诺(Bruno Toscano)在研究这些缺失时写道:“如果我们听天由命地认为它永远切除了缺失的部分,那么这座城市在我们看来就不那么真实了。”与转瞬即逝的遗产,如文艺复兴时期罗马的彩绘外墙的比较,对各个应用领域施加了方法论的反思。相反,这一损失可能会打开研究视角,并提出恢复这一类型记忆的新方法。我们的目标是再次利用文艺复兴时期罗马作为视觉和重建对象的沉淀和特异性的一个方面,作为数字人文学科的一个特定领域。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dealing with Absence New Research and Visualisation Perspectives of a Forgotten Open-Air Museum of Renaissance Rome
The city is a set of arbitrary visual experiences dispersed in time that must necessarily be integrated. In studying the absences, Bruno Toscano writes that “the city would appear to us in a less verisimilar facies if we resigned ourselves to consider it forever amputated of the missing parts just because they are missing”. The comparison with an evanescent patrimony such as the painted facades in Renaissance Rome imposes a methodological reflection on various fields of application. The loss could instead open up research perspectives and propose new ways of restoring the memory of the genre. The ambition is to make usable again an aspect of Renaissance Rome in its sedimentation and specificity as an object of vision and reconstruction and as a specific field of Digital Humanities.
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