安德雷·阿迪一首诗改写版本中的人称标记结构

Ágnes Domonkosi, Á. Kuna
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引用次数: 0

摘要

体裁以人称标记结构的特定模式为特征,包括代词、形态句法要素和呼求。本文的目的是通过对一首诗的重写版本的分析来验证这一假设。本文分析了《落叶上的鹰交配》的各种改写版本。Héja-nász az avaron),并对人物标记的基本设备进行软件辅助定性研究,以探索“坏”诗歌、1流行歌曲歌词、说唱和散文类别中人物标记结构的特征(domonksi - kuna 2018a)。分析表明,在说话人日常的、直观的体裁知识中,与各种人称标记机会相关的图式起着基础性的作用。这一事实表明,诗歌的重写,它的转换到新的体裁是与选择的人标记结构的变化密切相关的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Person-marking constructions in rewritten versions of a poem by Endre Ady
Genres are characterized by specific patterns of person-marking constructions including pronouns, morphosyntactic elements and vocatives. The goal of this paper is to verify this hypothesis through an analysis of rewritten versions of a poem. The paper analyses various rewritten versions of Hawk Mating on the Fallen Leaves (Hu. Héja-nász az avaron) by Endre Ady and conducts software-assisted qualitative research on basic devices for person-marking in order to explore the features of person-marking constructions in the categories of “bad” poetry, 1 pop song lyrics, rap and prose (Domonkosi–Kuna 2018a). The analysis reveals that in speakers’ everyday, intuitive knowledge of genres, schemas related to various opportunities for person-marking play a fundamental role. This is suggested by the fact that the rewriting of the poem, its transposition into new genres went hand in hand with changes in the choice of person-marking constructions.
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