“ISIM”和“内容”在马辫的艺术展示

Siti Islamiah Ahmad, Mohd Effindi Samsuddin, Awang Azman Awang Pawi
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引用次数: 0

摘要

“永久的”Kuda Kepang艺术是一种舞蹈,在表演过程中达到恍惚状态之前要经历一个仪式过程。目前的研究重点是关键词“isim”和“isi”,这是指打客扑运动员采取和执行的练习形式。本研究的重点是演奏者体内“isim”的占有与“isim”在打鼓乐器中的填充之间的关系,以实现表演过程中出神状态的存在。因此,本研究的目的是确定导致表演中出现恍惚状态的因素。本研究的数据是通过实地研究柔佛州的四个活跃的姑达客邦群体获得的。在此基础上,结合包含相关元素的打客盘游戏哲学,分析了导致打客盘出神的内容和因素。定性研究设计从观察、访谈和文献中获得数据。调查结果表明,经历出神状态的运动员具有“isi”,而使用的表演器材具有“isi”。出神状态与演出前所进行的仪式过程有着密切的关系,也与“伊西姆”、“伊西”的占有因素有关。如果演奏者体内没有“isim”,音乐设备中没有“isi”,即使已经进行了仪式,表演过程中也不会出现出神状态。本研究强调了“isim”和“isi”在仪式过程的成功和出神状态的发生中的重要性。可进一步研究姑打舞表演中“思”的占有和“思”的内容。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“ISIM” DAN “ISI” DALAM PERSEMBAHAN SENI PERMAINAN KUDA KEPANG
The art of “permainan” Kuda Kepang is a type of dance that goes through a ritual process before reaching a trance state during the performance. The current study focuses on the keywords “isim” and “isi, which refers to the form of practice taken and performed by Kuda Kepang players. This investigation focuses on the relationship between the possession of “isim” within the player and the filling of “isi” in the Kuda Kepang equipment to realize the presence of the trance state during the performance. Therefore, the objective of this study is to identify the factors contributing to the occurrence of the trance state during the performance. The data in this research were obtained through field studies with four active Kuda Kepang groups in the state of Johor. The content and factors that cause the trance state are analysed based on the philosophy of the Kuda Kepang game containing the relevant element. The qualitative research design produced data obtained from observation, interviews, and documentation. The results of the investigation show that players who experience the trance state possess “isim”, while the performance equipment used has “isi”. The trance state has a close relationship with the ritual process performed before the performance, which is also related to the possession factor of “isim” and “isi”. Without “isim” within the player and “isi” in the music equipment, the trance state during the performance would not occur, even if the ritual has been performed. This study highlights the importance of “isim” and “isi” in the success of the ritual process and the occurrence of the trance state. Further research can be conducted on the possession of “isim” and the content of the “isi” in Kuda Kepang performances.
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