{"title":"霍华德家族","authors":"C. Rice","doi":"10.2307/j.ctv1kz4gcv.9","DOIUrl":null,"url":null,"abstract":"This chapter gives background on the pre-Code era of filmmaking and Joseph Breen, along with Howard Hughes' entry into the film industry and his decision to return to filmmaking after a decade. The chapter also details Howard Hawks’ involvement with developing The Outlaw, including the casting, and how Jane and Jack Buetel got the parts in the film.","PeriodicalId":112665,"journal":{"name":"Mean...Moody...Magnificent!","volume":"13 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Howards\",\"authors\":\"C. Rice\",\"doi\":\"10.2307/j.ctv1kz4gcv.9\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter gives background on the pre-Code era of filmmaking and Joseph Breen, along with Howard Hughes' entry into the film industry and his decision to return to filmmaking after a decade. The chapter also details Howard Hawks’ involvement with developing The Outlaw, including the casting, and how Jane and Jack Buetel got the parts in the film.\",\"PeriodicalId\":112665,\"journal\":{\"name\":\"Mean...Moody...Magnificent!\",\"volume\":\"13 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Mean...Moody...Magnificent!\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctv1kz4gcv.9\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mean...Moody...Magnificent!","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv1kz4gcv.9","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter gives background on the pre-Code era of filmmaking and Joseph Breen, along with Howard Hughes' entry into the film industry and his decision to return to filmmaking after a decade. The chapter also details Howard Hawks’ involvement with developing The Outlaw, including the casting, and how Jane and Jack Buetel got the parts in the film.
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