涂着油彩的士兵

H. V. Leuven
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引用次数: 0

摘要

第七章回顾了博尔格与钢琴家小杰克·利特尔在南太平洋度过的四个月时光。这两人是第一批在南太平洋与美国人互动的艺人。USO只派了Bolger和Little去南太平洋,因为他们要去的许多地区仍然被认为不适合女性,甚至不适合女护士;日本武装分子仍在一些岛屿上。讨论了这些岛屿上的战斗后勤以及对Bolger和Little以及他们的观众的影响。同时,作者追溯了格温·博尔格试图在博尔格出国时与丽塔·海华斯签订电影合同的过程。英国导演维克多·萨维尔希望博尔格在他即将改编的戏剧《城市之心》中担任配角。这部电影将是一部彩色音乐剧,讲述了伦敦一家杂剧院在闪电战期间拒绝关门的故事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Soldiers in Greasepaint
Chapter 7 retraces Bolger’s four-month stint in the South Pacific with pianist Little Jack Little. The two were the first entertainers to interact with Americans in the South Pacific. The USO sent just Bolger and Little to the South Pacific because many of the territories they would tour were still considered unfit for women, even for female nurses; Japanese militants were still on some of the islands. The logistics of battle in these islands and the impacts on Bolger and Little, as well as their audiences, are discussed. Simultaneously, the author traces Gwen Bolger’s attempts to secure Bolger a contract for a film with Rita Hayworth while Bolger was abroad. British director Victor Saville wanted Bolger for a supporting role in his forthcoming adaptation of the play Heart of the City. The film would be a Technicolor musical, telling the story of a London variety theater that refused to close for even a single performance during the Blitz.
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