传达一个保护修复项目:圣蒙特迪瓦拉洛的“原罪”教堂的案例

Greta Acuto
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引用次数: 0

摘要

瓦拉洛圣山是一个自然保护区和宗教场所附近的蒙特罗莎,皮埃蒙特(意大利)。从15世纪开始,当时一些最伟大的艺术家在那里工作,用真人大小的雕像和壁画来描绘耶稣生活的地点和事件。“La Venaria Reale”保护和修复中心开展了一个模型保护修复项目,重点是保护1号教堂(代表原罪)。这个项目是作为一个案例研究来开发的,以适当地向不同的受众传达保护修复的发布和工作。这项倡议是一个更广泛的项目——意大利-瑞士“维护”项目的一部分,该项目旨在为联合国教科文组织圣城制定一个可持续的保护计划。根据参观者的兴趣,通过以下途径在几个层面上进行交流:1 - 1号教堂附近的解释面板;2 -与保护人员和其他专业人员一起进行讲解之旅;3 -创建一个网站,提供有关正在进行的工作的信息、见解和新闻。为了创造一个更有效和吸引人的交流,我们收集了与访客有关的信息。公众根据不同的特点分为三类公众对象:儿童;成年人;和盲人。对于每一个项目,都制定了参考指南和具体的叙述:•为了让儿童参与进来,我们决定使用游戏;•为了解决成年人的问题,我们决定将讨论重点放在游客提出的常见问题上;•为了拉近盲人公众的距离,我们提出了一种唤起人们回忆的参观方式。为了让人们了解良好状态和退化状态的表面之间的区别,准备了实物模型,让人们有可能触摸它们。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Communicating a conservation-restoration project: The case of Chapel of ‘the original sin’ at the Sacro Monte di Varallo
The Sacro Monte di Varallo (Sacro Monte of Varallo) is a natural reserve and religious place near Monte Rosa, Piedmont (Italy). Some of the greatest artists of the time worked there to create a representation of the places and events of Christ life with life-size statues and mural paintings, starting from the 15th century. The Conservation and Restoration Center 'La Venaria Reale' carried out a model conservation-restoration project focusing on the conservation of Chapel 1 (which represents the Original Sin). This project was developed as a case study  efforts  to properly communicate the conservation-restoration issued and the work carried out to different audiences. This initiative is part of a broader project, the Interreg Italy-Switzerland 'Main10ance', which aims to develop a sustainable conservation program for the UNESCO Sacro Montes. Communication was carried out on several levels, based on the interest of visitors, through the following avenues:1 - explanatory panels near Chapel 1;2 – explanatory tours with conservators and other professionals;3 – creation of website with information, insights and news dedicated to the work in progress.To create a more effective and engaging communication, information relating to visitors was collected. The public was grouped according to different characteristics in three public targets: Children; Adult; and Blind people. For each, a reference guidelines and a specific narrative was developed:•      to involve children it was decided to use games;•      to address adults, it was decided to focus the discussion on the frequently asked questions posed by visitors;•      to bring the blind public closer, an evocative visit was proposed. Mock-ups were prepared to give the possibility to touch them, in order to make people understand the difference between surface in good condition and in degraded state.
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