{"title":"颗粒棱镜:用于颗粒取样的象形界面","authors":"Gabriela Bila Advincula, D. D. Haddad, K. Larson","doi":"10.5281/zenodo.3672960","DOIUrl":null,"url":null,"abstract":"This paper introduces the Grain Prism, a hybrid musical instrument that combines granular synthesis and live audio recordings. Presented in a capacitive touch interface, users are invited to create experimental sound textures with their own recordings. The interface’s touch plates are introduced within a series of obscure glyphs, instigating the player to decipher the hidden sonic messages. This way, the mysterious interface opens space to aleatoricism in the act of conjuring sound, and therefore the discovery of “happy accidents” in making electronic music.","PeriodicalId":161317,"journal":{"name":"New Interfaces for Musical Expression","volume":"37 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Grain Prism: Hieroglyphic Interface for Granular Sampling\",\"authors\":\"Gabriela Bila Advincula, D. D. Haddad, K. Larson\",\"doi\":\"10.5281/zenodo.3672960\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper introduces the Grain Prism, a hybrid musical instrument that combines granular synthesis and live audio recordings. Presented in a capacitive touch interface, users are invited to create experimental sound textures with their own recordings. The interface’s touch plates are introduced within a series of obscure glyphs, instigating the player to decipher the hidden sonic messages. This way, the mysterious interface opens space to aleatoricism in the act of conjuring sound, and therefore the discovery of “happy accidents” in making electronic music.\",\"PeriodicalId\":161317,\"journal\":{\"name\":\"New Interfaces for Musical Expression\",\"volume\":\"37 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"New Interfaces for Musical Expression\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5281/zenodo.3672960\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Interfaces for Musical Expression","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5281/zenodo.3672960","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Grain Prism: Hieroglyphic Interface for Granular Sampling
This paper introduces the Grain Prism, a hybrid musical instrument that combines granular synthesis and live audio recordings. Presented in a capacitive touch interface, users are invited to create experimental sound textures with their own recordings. The interface’s touch plates are introduced within a series of obscure glyphs, instigating the player to decipher the hidden sonic messages. This way, the mysterious interface opens space to aleatoricism in the act of conjuring sound, and therefore the discovery of “happy accidents” in making electronic music.